Catalogus
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| Uitgever | Bavaria, Kingdom of |
|---|---|
| Jaar | 1839 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Gewicht | Log in om details te zien |
| Diameter | Log in om details te zien |
| Dikte | Log in om details te zien |
| Vorm | Log in om details te zien |
| Techniek | Log in om details te zien |
| Oriëntatie | Medal alignment ↑↑ |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Schrift voorzijde | Log in om details te zien |
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Log in om details te zien |
| Schrift keerzijde | Log in om details te zien |
| Opschrift keerzijde | Log in om details te zien |
| Rand | Lettered |
| Muntplaats | Log in om details te zien |
| Oplage | 1839 |
| Aanvullende informatie |
The double thaler series was born of political compromise. The Dresden Coinage Convention of 1838 unified the north German thaler standard with the south German gulden system, and Bavaria's participation required issuing coins acceptable as both 2 thalers in the north and 3½ gulden at home. Ludwig I — a king who personally supervised artistic decisions down to individual letter forms — commissioned some of the most refined portrait coinage in German state numismatics, and the double thalers of his reign reflect that obsession. The 1839 issue was among the earliest produced under the new convention.