2 Schillings - Ulrich III

発行体 Mecklenburg-Güstrow, Duchy of
年号 1567
種類 Standard circulation coin
額面 2 Schillings (1⁄16)
通貨 Thaler
材質 Silver
重量 3.03 g
直径
厚さ
形状 Round
製造技法
向き
彫刻師
流通終了年
参考文献 MB#156, Kunzel#124a
表面の説明 4-fold arms with central shield of Schwerin, at left, above and right Z - VH - M.
表面の文字体系 Latin
表面の銘文 VBI. T(H)ESAVRVS. TV. IBI. ET. COR. TV.
裏面の説明 Large `D` enclosing smaller `S,` date below, all in ornately shaped shield.
裏面の文字体系 Latin
裏面の銘文 QVERITE. THESAVROS. IN. CELO.
鋳造所
鋳造数 1567 - -
Numisquare ID 1298921150
追加情報

Historical Context: This 2 Schillings coin was issued in 1567 under Ulrich III, Duke of Mecklenburg-Güstrow (r. 1555-1603). His reign marked a period of stability and economic prosperity following the Reformation. Ulrich was a shrewd administrator and patron, navigating the Holy Roman Empire's complex politics, consolidating ducal authority, and maintaining a Protestant stance. This silver denomination reflects the duchy's economic autonomy and its participation in the broader North German monetary system, providing essential currency for local commerce.

Artistry: The design adheres to prevailing stylistic conventions of late German Renaissance coinage. While a specific engraver is typically unrecorded, skilled mint masters crafted the dies. The obverse likely features a stylized bust of Duke Ulrich III, often in profile, or a prominent display of the ducal arms. The reverse would typically present the Mecklenburg-Güstrow coat of arms, possibly quartered, along with the denomination and date, all rendered with heraldic precision and emerging naturalism characteristic of the era.

Technical/Grading: Struck in silver, weighing 3.03 grams, this coin's technical qualities are typical for 16th-century minting. High-points susceptible to wear include the duke's facial features, hair, and intricate collar details on the obverse. On the reverse, crowns, lion's manes, or eagle's feathers within the heraldic devices show the earliest signs of friction. A well-struck example exhibits full detail on the legend and central motifs, with minimal weakness, though planchet irregularities and slight off-centering are common due to hand-striking.

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