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2 Piso Ang Bagong Lipunan, Seal type 4

Issuer Bangko Sentral ng Pilipinas
Year 1978-1983
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Currency Piso (1967-date)
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Obverse description Intaglio portrait of national hero Jose Rizal in three-quarter bust facing right occupies the left portion of the note, with the numeral '2' at far left and a stylized floral vignette above it. The centre and right fields carry intricate multicolour guilloche underprint with the diagonal overprint 'ANG BAGONG LIPUNAN' in large teal lettering, flanked by a rosette ornament and the Bangko Sentral ng Pilipinas seal at lower right. Two facsimile signatures appear below centre, identified by the titles 'PANGULO NG PILIPINAS' and 'TAGAPANGASIWA NG BANGKO SENTRAL', with the denomination 'DALAWANG PISO' in bold red letterpress along the lower margin.
Obverse lettering REPUBLIKA NG PILIPINAS ANG SALAPING PAPEL NA ITO AY ISANG BAYARIN NG BANGKO SENTRAL AT LUBOS NA PINANANAGUTAN NG PAMAHALAAN NG REPUBLIKA NG PILIPINAS ANG BAGONG LIPUNAN JOSE RIZAL DALAWANG PISO ANG PAPEL NA ITO AY SALAPING UMIIRAL SA PILIPINAS AT PAMBAYAD SA LAHAT NG URI NG PAGKAKAUTANG PANGULO NG PILIPINAS TAGAPANGASIWA NG BANGKO SENTRAL
(Translation: Republic of the Philippines This note is a liability of the Central Bank and is fully guaranteed by the Government of the Republic of the Philippines The New Society Jose Rizal Two pesos This note is legal tender in the Philippines and payment for all kinds of debt President of the Philippines Administrator of the Central Bank)
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Comments

The "Bagong Lipunan" (New Society) series was Marcos's post-proclamation currency, introduced after martial law in 1972 to reinforce the regime's ideological rebranding of the Philippine state. By the time Seal Type 4 notes entered circulation, Marcos had cycled through two Bangko Sentral governors — Gregorio Licaros, then Jaime Laya — producing three distinct signature combinations within the same type designation, which accounts for the multiple serial number color variants collectors encounter.

G&D's Munich operation is more commonly cited for Philippine work of this period; Leipzig production is worth noting on the catalog record.

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