See full images — free registration
Continue with Google — it's free or register with email

2 Pence - Rosa Americana Pattern

Issuer United States (pre-federal and private territorial)
Year 1724
Type Log in to see details
Value Log in to see details
Currency Pound
Composition Log in to see details
Weight Log in to see details
Diameter Log in to see details
Thickness Log in to see details
Shape Log in to see details
Technique Log in to see details
Orientation Log in to see details
Engraver(s) Log in to see details
In circulation to Log in to see details
Reference(s) Log in to see details
Obverse description Laureate and draped bust of King George I facing right, with flowing curled hair adorned with a laurel sprig, occupying the central field. The effigy is rendered in high relief with fine engraving detail characteristic of early eighteenth-century English coinage. The circular legend surrounds the bust close to the milled border.
Obverse script Log in to see details
Obverse lettering Log in to see details
Reverse description Log in to see details
Reverse script Latin
Reverse lettering Log in to see details
Edge Log in to see details
Mint Log in to see details
Mintage Log in to see details
Additional information

William Wood obtained his patent to produce Rosa Americana coinage through a royal grant secured — almost certainly by bribery — via the Duchess of Kendal, a mistress of George I. The coins were intended for circulation in the American colonies, but colonial merchants rejected them almost universally, objecting both to the monopoly arrangement and to the quality of the copper alloy Wood used, which contemporaries described as brittle and poorly refined.

The 1724 twopence pattern was never released for general circulation. Wood's entire colonial coinage venture collapsed shortly after, undercut by relentless opposition from figures including Jonathan Swift, whose Drapier's Letters — written against a parallel Wood coinage scheme for Ireland — poisoned public opinion on both sides of the Atlantic.