See full images - free registration
Continue with Google - no registration! or register with email

Why register? Just to keep bots out of our catalog. Your email stays private - we will never share it or send you anything uninvited. We guarantee you that!

2 New Sheqalim Judaic Art - Havdalah Spicebox

Issuer Bank of Israel
Year 1993
Type Non-circulating coin
Value Log in to see details
Currency Log in to see details
Composition Log in to see details
Weight Log in to see details
Diameter Log in to see details
Thickness Log in to see details
Shape Log in to see details
Technique Log in to see details
Orientation Log in to see details
Engraver(s) Log in to see details
In circulation to Log in to see details
Reference(s) Log in to see details
Obverse description The obverse features a contemporary Havdalah spicebox in the left field, designed by Hana Bahar-Paneth of Jerusalem, rendered in fine relief. The face value '2 NEW SHEQALIM' is inscribed in both Hebrew and English, prominently displayed in the field. The upper border carries the country name 'ISRAEL' in three scripts — Hebrew (ישראל), Arabic (اسرائيل), and Latin — arranged along the upper periphery. The overall composition reflects a modern artistic sensibility consistent with Israel's Judaic Art commemorative series.
Obverse script Log in to see details
Obverse lettering Log in to see details
Reverse description Log in to see details
Reverse script Log in to see details
Reverse lettering Log in to see details
Edge Log in to see details
Mint Log in to see details
Mintage 5754 (1993) מ - התשנ׳׳ז Proof - 4,750
Additional information

Part of Israel's long-running Judaic Art series, this issue commemorates the havdalah spice box — the besamim container used in the ritual marking the end of Shabbat. The Bank of Israel began the series in 1984, commissioning designs that documented objects from Jewish ceremonial life at a moment when many of these artifacts existed primarily in diaspora collections or museum holdings rather than in active use.

The spice box chosen for this design draws from the Germanic-Ashkenazi tradition of tower-shaped filigree silver work, a form that dominated European Jewish silversmithing from the 16th century onward.

YOU MAY ALSO LIKE