Katalog
Warum registrieren? Nur um Bots aus unserem Katalog fernzuhalten. Ihre E-Mail bleibt privat — wir geben sie nie weiter und senden Ihnen nichts Unerwünschtes. Das garantieren wir Ihnen!
| Emittent | Thesouro Nacional |
|---|---|
| Jahr | 1844 |
| Typ | Anmelden um Details zu sehen |
| Nennwert | 2000 Réis |
| Währung | Anmelden um Details zu sehen |
| Material | Anmelden um Details zu sehen |
| Größe | Anmelden um Details zu sehen |
| Form | Anmelden um Details zu sehen |
| Druckerei | Anmelden um Details zu sehen |
| Designer | Anmelden um Details zu sehen |
| Stecher | Anmelden um Details zu sehen |
| Im Umlauf bis | Anmelden um Details zu sehen |
| Referenz(en) | Anmelden um Details zu sehen |
| Vorderseitenbeschreibung | Intaglio-printed in carmine on greenish paper. The left margin carries a reference to the Decree of 1 June 1833, while the central upper area bears a classical allegorical vignette of two putti representing the arts. The Imperial arms of Brazil appear at the right, with the denomination numeral '2' repeated in the border lettering surrounding the text panel. |
|---|---|
| Vorderseitenlegende | Anmelden um Details zu sehen |
| Rückseitenbeschreibung | Reverse entirely unprinted, consisting of plain greenish paper with no vignettes, lettering, or ornamentation of any kind. |
| Rückseitenlegende | Anmelden um Details zu sehen |
| Unterschrift(en) | Anmelden um Details zu sehen |
| Sicherheitsmerkmal | Anmelden um Details zu sehen |
| Beschreibung der Sicherheitsmerkmale | Anmelden um Details zu sehen |
| Varianten | Anmelden um Details zu sehen |
| Anmerkungen |
Brazil's Thesouro Nacional turned to Perkins, Bacon & Petch at a moment when the firm's intaglio security printing was considered among the most counterfeit-resistant available — a real concern in a country that had already suffered damaging note forgeries earlier in the century. This is the second print of the series, meaning the plates had already seen prior use, though Perkins maintained exceptionally durable steel-engraved dies and plate quality rarely degraded perceptibly between print runs.
Jacob Perkins himself had pioneered the siderographic transfer process that made mass production of identical, fine-lined banknote engravings commercially viable. By 1844 he had been dead two years.