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| 表面の説明 | Black intaglio on polychrome lithographic underprint. At right, within an ornate frame surmounted by decorative scrollwork, a vignette reproducing the painting "Saudade" by German artist Conrad Kiesel (1846–1921), depicting a contemplative female figure. The denomination and issuing authority legends are distributed across the face in letterpress. |
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| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | Carmine intaglio on lithographic underprint. At center, within a guilloche-bordered frame, a classical vignette of Minerva, Roman goddess of arts, commerce, and wisdom, rendered in full figure wearing a plumed helmet and holding a spear in her right hand. Denomination numerals and the issuing authority inscription appear in the surrounding border. |
| 裏面の銘文 | ログイン して詳細を見る |
| 署名 | ログイン して詳細を見る |
| 偽造防止技術 | ログイン して詳細を見る |
| 偽造防止の説明 | ログイン して詳細を見る |
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Brazil's Thesouro Nacional leaned heavily on the American Bank Note Company throughout the early Republic period, and this 11th Print 2 Mil Réis is part of a long-running series that saw successive printings as demand repeatedly outpaced supply. The "print" numbering system — estampas in Portuguese — is an unusually granular way of tracking a denomination's print history, and reaching an 11th iteration by 1918 reflects just how structurally dependent the Brazilian government had become on this denomination for everyday transactions during a prolonged period of monetary instability following the Encilhamento speculative collapse of the early 1890s.
ABNC-printed Brazilian notes from this period are prone to foxing along the margins due to the interaction between the paper stock and tropical storage conditions.