| Descrizione del dritto | Bust facing left. |
|---|---|
| Scrittura del dritto | Latin |
| Legenda del dritto | ERNST LUDWIG GROSHERZOG VON HESSEN A |
| Descrizione del rovescio | Crowned imperial eagle |
| Scrittura del rovescio | Latin |
| Legenda del rovescio | DEUTSCHES REICH 1900 * ZWEI MARK * |
| Bordo | Reeded |
| Zecca |
A Berlin, Germany (1280-date) |
| Tiratura |
1895 A - - 53 700 1896 A - - 8 950 1896 A - Proof - 200 1898 A - - 33 950 1898 A - Proof - 360 1899 A - - 53 240 1899 A - Proof - 128 1900 A - - 8 950 1900 A - Proof - 200 |
| ID Numisquare | 1056621100 |
| Informazioni aggiuntive |
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Historical Context:The 2 Marks coin of Ernest Louis, Grand Duke of Hesse and by Rhine (1895-1900), signifies a pivotal era for German states. Ernest Louis, reigning from 1892-1918, was Queen Victoria's grandson and Empress Alexandra of Russia's brother. His rule saw Hesse-Darmstadt as a sovereign constituent state within the German Empire, adhering to imperial monetary standards. These coins showcase Hesse's regional identity through the Grand Duke's effigy, while the German eagle on the reverse symbolizes imperial unity.
Artistry:The artistry of this 2 Marks piece is typical of late 19th-century German imperial coinage, likely by a skilled mint engraver such as Otto Huth. The obverse presents a dignified, realistic portrait of Grand Duke Ernest Louis, facing right, blending Neo-Baroque grandeur with classical sobriety, encircled by his full title. The reverse features the majestic, crowned imperial German eagle with a shield, symbolizing the Empire's unity, alongside "ZWEI MARK" and date, framed by "DEUTSCHES REICH".
Technical/Grading:Struck in .900 fine silver, weighing 11.11 grams and 28 millimeters, this coin generally exhibits a robust strike. Key high-points for grading include the Grand Duke's hair, ear, and uniform details (collar, epaulet). On the reverse, the imperial eagle's breast feathers, crown, and wing tips are critical for assessing wear. Uncirculated examples retain significant cartwheel luster; circulated pieces often show flattening on these prominent features, particularly the portrait and eagle's breast.