Catálogo
| Emisor | Greece |
|---|---|
| Año | 1833 |
| Tipo | Coin pattern |
| Valor | 2 Lepta (0.02) |
| Moneda | First modern drachma (1832-1944) |
| Composición | Copper |
| Peso | 2.72 g |
| Diámetro | 18 mm |
| Grosor | |
| Forma | Round |
| Técnica | Milled |
| Orientación | Coin alignment ↑↓ |
| Grabador(es) | Traugott Ertel |
| En circulación hasta | |
| Referencia(s) | KM#Pn7 , Divo Greek#P41 |
| Descripción del anverso | Coat of arms |
|---|---|
| Escritura del anverso | Latin |
| Leyenda del anverso |
Z. KÖN. MÜNZE IN GRIECHENL (Translation: To the King. Coin in Greece) |
| Descripción del reverso | Legend |
| Escritura del reverso | Latin |
| Leyenda del reverso |
PROBEMÜNZE VON T. ERTEL. 1833. MÜNCHEN (Translation: Trial Coin by T. Ertel Munich) |
| Canto | Reeded |
| Casa de moneda | |
| Tirada |
1833 - - |
| ID de Numisquare | 5117329030 |
| Información adicional |
Historical Context: This 1833 2 Lepta pattern coin marks a pivotal moment in the nascent Kingdom of Greece under its first monarch, King Otto I. Arriving in January 1833, Otto immediately faced the monumental task of establishing a stable state, including a unified monetary system. This pattern, therefore, signifies an early, experimental step in replacing the provisional government's Phoenix currency with the new Drachma and Lepton denominations, crucial for economic stabilization and asserting national identity.
Artistry: The design of this 2 Lepta pattern exemplifies the Neoclassical style prevalent in European coinage, chosen to evoke Greece's classical heritage. While the specific engraver is often unattributed, it was likely a skilled European artisan, possibly Bavarian or French, reflecting King Otto's origins. The obverse typically features the royal crown surmounting Otto's cypher, 'O', while the reverse displays the denomination '2 ΛΕΠΤΑ' and the date '1833', often encircled by a wreath. The aesthetic prioritizes clear legibility and royal authority.
Technical/Grading: Struck in copper, at 2.72 grams and 18 mm, this pattern offers insights into early minting trials. Key high-points for grading include the intricate details of the royal crown, the serifs and flourishes of King Otto's cypher, and the individual leaves within the reverse wreath. As a pattern, strike quality can vary; some examples exhibit sharp, full details, while others may show slight weakness, particularly on the highest relief elements. Planchet quality and evenness of strike are important indicators of its technical execution.