目录
| 发行方 | Sion, Bishopric of |
|---|---|
| 年份 | 1499-1522 |
| 类型 | Standard circulation coin |
| 面值 | 2 Groschen (1/8) |
| 货币 | Thaler (1475-1780) |
| 材质 | Silver |
| 重量 | 2.38 g |
| 直径 | 25 mm |
| 厚度 | |
| 形状 | Round (irregular) |
| 制作工艺 | Hammered |
| 方向 | |
| 雕刻师 | |
| 流通至 | |
| 参考资料 | HMZ 1#2-1024 |
| 正面描述 | Mitre over shield in quadrilobe. |
|---|---|
| 正面文字 | |
| 正面铭文 |
+MATHEVS·EPS·SEDV`·PRE·ET·CO`·V (Translation: Matheus Episcopus Sedunensis Praefectus Et Comes Vallesiae Matthaus, Bishop of Sion, Governor and Count of Valais) |
| 背面描述 | Bust of saint facing forward within circle. |
| 背面文字 | |
| 背面铭文 |
+S·THEODOLVS·PATRO`·SEDVNE`. (Translation: Saint Theodore, Patron of Sion) |
| 边缘 | |
| 铸币厂 | |
| 铸造量 |
ND (1499-1522) - - |
| Numisquare 编号 | 3123425010 |
| 附加信息 |
Historical Context: This 2 Groschen coin was issued under Matthaus Schiner, Prince-Bishop of Sion, a towering figure in late medieval Swiss and European politics. Serving from 1499 until his death in 1522, Schiner was a cardinal, diplomat, and military commander, instrumental in the Italian Wars and a staunch opponent of French expansionism. His coinage, minted in the Bishopric of Sion (modern-day Valais, Switzerland), underscores his temporal authority and significant influence within the Holy Roman Empire, reflecting a period of intense geopolitical maneuvering.
Artistry: The design of this silver 2 Groschen reflects the transitional artistic styles prevalent in central Europe during the early 16th century. While perhaps showing nascent Renaissance influences in its portraiture or heraldic execution, the overall aesthetic likely retains strong late Gothic elements, characteristic of Swiss ecclesiastical mints. Specific engravers are unrecorded; dies were cut by skilled local artisans, focusing on clear, albeit stylized, representations of Schiner’s mitred bust or elaborate armorial bearings, juxtaposed with the arms of Sion or religious iconography.
Technical/Grading: As a hand-struck silver coin of 25mm, this 2 Groschen typically exhibits varying strike quality. Key high-points for evaluation include the details of Matthaus Schiner’s effigy (e.g., the mitre, facial features) or the intricate elements of his coat of arms and the Bishopric’s shield. Due to the manual striking process, planchet irregularities, minor off-centering, and areas of weak strike are common. A well-centered example with sharp details, particularly in the lettering and highest relief points, represents a superior technical strike and is highly desirable.