カタログ
| 発行体 | Congo Free State (1885-1908) |
|---|---|
| 年号 | 1896 |
| 種類 | Coin pattern |
| 額面 | 2 Francs |
| 通貨 | Franc (1885-1908) |
| 材質 | Gold |
| 重量 | 15.18 g |
| 直径 | |
| 厚さ | |
| 形状 | Round |
| 製造技法 | Milled |
| 向き | Coin alignment ↑↓ |
| 彫刻師 | Émile Fernand-Dubois |
| 流通終了年 | |
| 参考文献 | Delmonte G#1318 |
| 表面の説明 | Draped bust left |
|---|---|
| 表面の文字体系 | Latin |
| 表面の銘文 | LEOP II R D BELG SOUV DE L`ETAT INDEP DU CONGO FERNAN DUBOIS |
| 裏面の説明 | Crowned coat-of-arms with leonine supports |
| 裏面の文字体系 | Latin |
| 裏面の銘文 | 2 FRANCS TRAVAIL ET PROGRES 1896 |
| 縁 | Reeded |
| 鋳造所 | |
| 鋳造数 |
1896 - - |
| Numisquare ID | 6873890420 |
| 追加情報 |
Historical Context:This 1896 2 Francs gold pattern is a significant artifact from the Congo Free State, Léopold II's controversial personal domain (1885-1908). Issued amidst intense resource exploitation and growing international scrutiny, this pattern signifies Léopold II's efforts to formalize a monetary system for his vast African territory. The gold composition suggests a high-value, stable currency, likely for international trade or as a store of value within the Free State's administrative and commercial structures.
Artistry:The design adheres to prevailing late 19th-century European academic style, characterized by realistic portraiture and classical influences. While the engraver is unrecorded, the work likely originated from a prominent Belgian mint, reflecting the era's artistic standards. The obverse would typically feature a dignified bust of Léopold II, rendered with precise detail, embodying monarchical authority. The reverse design would bear the denomination and potentially the issuer's name, executed with clarity and balance, typical of official coinage.
Technical/Grading:As a gold pattern, this coin exhibits exceptional technical quality. Key high-points for wear or strike weakness on the obverse portrait include Léopold II's hair, ear, and highest facial features or regalia. Reverse elements, such as lettering or central motifs, would also show crispness. Gold patterns are often struck with multiple blows on highly polished planchets, resulting in a full, sharp strike, often with proof-like fields and strong cameo contrast, highlighting intricate details and the substantial 15.18 gram weight.