Volledige afbeeldingen bekijken — gratis registratie
Doorgaan met Google — het is gratis of registreer met e-mail

2 Drachmai

Uitgever National Bank of Greece
Jaar 1885
Type Log in om details te zien
Waarde Log in om details te zien
Valuta Log in om details te zien
Samenstelling Paper
Afmetingen Log in om details te zien
Vorm Log in om details te zien
Drukker Log in om details te zien
Ontwerper(s) Log in om details te zien
Graveur(s) Log in om details te zien
In omloop tot Log in om details te zien
Referentie(s) Log in om details te zien
Beschrijving voorzijde At right, an intaglio vignette of Hermes in three-quarter profile facing left, rendered in a classical engraved style against a guilloche underprint in pale blue and green. The bank title ΕΘΝΙΚΗ ΤΡΑΠΕΖΑ ΤΗΣ ΕΛΛΑΔΟΣ appears in a ruled panel at top, with the denomination ΔΡΑΧΜΑΙ ΔΥΟ in large bold letters across the centre. Two manuscript signatures appear below the denomination line, with the imprint of Bradbury Wilkinson & Co. Ltd., London at the foot of the note.
Opschrift voorzijde ΕΘΝΙΚΗ ΤΡΑΠΕΖΑ ΤΗΣ ΕΛΛΑΔΟΣ
ΔΡΑΧΜΑΙ ΔΥΟ
Νόμος ΑΤΜΒάσει 21 Δεκεμβρίου 1885
Ο Γενικώτερος Διευθυντής
Ο Ταμίας της Τραπέζης
Bradbury Wilkinson & Co. Ld. London
Beschrijving keerzijde Log in om details te zien
Opschrift keerzijde Log in om details te zien
Handtekening(en) Log in om details te zien
Beveiligingstype Log in om details te zien
Beschrijving beveiliging Log in om details te zien
Varianten Log in om details te zien
Opmerkingen

The National Bank of Greece turned to Bradbury Wilkinson repeatedly during the 1880s, a period when the Greek state was navigating serious fiscal pressure following the expenses of post-independence consolidation and ongoing territorial disputes. This 2 Drachmai note belongs to a series that predates the 1885 suspension of gold convertibility by just months — Greece formally suspended specie payments that year and would not restore them for decades.

Bradbury Wilkinson's intaglio work was among the most technically sophisticated available to smaller sovereign issuers at the time, which is precisely why Athens kept sending the work to London rather than developing domestic printing capacity.