2 Doppie - Ranuccio I

Emissor Piacenza, Duchy of
Ano 1601-1622
Tipo Standard circulation coin
Valor 2 Doppie (42)
Moeda Lira
Composição Gold
Peso 13 g
Diâmetro 30 mm
Espessura
Formato Round
Técnica
Orientação
Gravador(es)
Em circulação até
Referência(s) MB#35, Fr#907, MIR#1152
Descrição do anverso Armored bust to left.
Escrita do anverso Latin
Legenda do anverso RANVT·FAR·PLA·P·DVX·IV·S·R·E·CONF·PER·
Descrição do reverso Wolf facing left, crowned 3-stemmed plant in background, mintmaster`s initials and date below.
Escrita do reverso Latin
Legenda do reverso PLACENTI A FLORET 1615
Bordo
Casa da moeda
Tiragem 1601 PP - -
1602 PP - -
1604 PP - -
1607 PP - -
1608 PP - -
1609 PP - -
1610 PP - -
1611 PP - -
1613 PP - -
1614 PP - -
1615 PP - -
1616 PP - -
1617 PP - -
1618 PP - -
1619 PP - -
1622 - -
ID Numisquare 2081457960
Informações adicionais

Historical Context: This 2 Doppie coin was issued under Ranuccio I Farnese, Duke of Parma and Piacenza, whose reign spanned from 1592 to 1622. The early 17th century was a period of significant political and cultural activity for the Farnese duchy, a strategically important state in northern Italy. The issuance of substantial gold coinage like the 2 Doppie underscored the ducal court's wealth, stability, and its commitment to asserting sovereignty and economic influence amidst the complex political landscape of the Italian peninsula.

Artistry: The artistry of this 2 Doppie typically reflects the stylistic transition from late Renaissance naturalism to early Baroque grandeur. While specific engravers for ducal mints of this era are often unrecorded, the design suggests the work of a highly skilled court artisan. The obverse invariably features a finely rendered, often laureated and draped, bust of Ranuccio I, emphasizing his regal authority. The reverse commonly displays the elaborate, crowned Farnese shield, rich in heraldic detail, symbolically reinforcing the family's prestigious lineage and territorial claims.

Technical/Grading: For collectors, key high-points on the obverse to assess wear include the highest curls of Ranuccio's hair, the ear, and the folds of his drapery or armor. On the reverse, critical areas are the crown's intricate details and the raised elements of the Farnese lilies and fess within the shield. Technical strike quality for gold issues of this period can vary; while often well-struck, minor planchet irregularities, slight off-centring, or weakness in peripheral legends are not uncommon. A premium example will exhibit sharp details across both sides with minimal evidence of wear or strike imperfections.

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