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2,5 Lira Nasreddin Hoca No.4
| Uitgever | Turkish State Mint (Darphane) |
|---|---|
| Jaar | 2018 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Gewicht | Log in om details te zien |
| Diameter | Log in om details te zien |
| Dikte | Log in om details te zien |
| Vorm | Round |
| Techniek | Log in om details te zien |
| Oriëntatie | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Schrift voorzijde | Latin |
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | The reverse depicts a scene from the well-known Turkish folk tale associated with Nasreddin Hodja, rendered in low relief against a plain field. The turbaned, bearded figure of Nasreddin Hodja is shown seated astride a tree branch, using an axe to cut the very branch on which he sits, with the tree trunk visible to the right and bare branches extending to the left. Grass is indicated in the lower field. Below the scene, the legend 'NASREDDİN HOCA' appears in the upper line and the idiomatic phrase '"BİNDİĞİN DALI KESME"' in the lower line, referencing the proverb meaning 'do not cut the branch you are sitting on.' |
| Schrift keerzijde | Log in om details te zien |
| Opschrift keerzijde | Log in om details te zien |
| Rand | Log in om details te zien |
| Muntplaats | Log in om details te zien |
| Oplage | Log in om details te zien |
| Aanvullende informatie |
Nasreddin Hoca — the medieval Anatolian folk philosopher whose sardonic wit became embedded across Turkish, Persian, and Central Asian oral tradition — was the subject of a themed collector series issued by the Darphane beginning in the mid-2010s. Each coin in the series illustrates a different fable attributed to him, a figure who probably lived in 13th-century Akşehir and whose tomb there remains a pilgrimage site. The "No.4" designation places this piece as the fourth release in that sequence, making completionist assembly the primary driver of demand rather than individual issue scarcity.