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2,5 Lira Nasreddin Hoca
| Emittent | Turkish State Mint (Darphane) |
|---|---|
| Jahr | 2015 |
| Typ | Anmelden um Details zu sehen |
| Nennwert | Anmelden um Details zu sehen |
| Währung | Anmelden um Details zu sehen |
| Material | Anmelden um Details zu sehen |
| Gewicht | Anmelden um Details zu sehen |
| Durchmesser | Anmelden um Details zu sehen |
| Dicke | Anmelden um Details zu sehen |
| Form | Anmelden um Details zu sehen |
| Prägetechnik | Anmelden um Details zu sehen |
| Ausrichtung | Medal alignment ↑↑ |
| Stempelschneider | Anmelden um Details zu sehen |
| Im Umlauf bis | Anmelden um Details zu sehen |
| Referenz(en) | Anmelden um Details zu sehen |
| Aversbeschreibung | Anmelden um Details zu sehen |
|---|---|
| Aversschrift | Anmelden um Details zu sehen |
| Averslegende | Anmelden um Details zu sehen |
| Reversbeschreibung | The reverse features a detailed narrative scene in low relief depicting Nasreddin Hoca, the celebrated Anatolian folk sage, shown as a turbaned, robed figure at left playing a wind instrument (düdük/whistle) while seated or crouching. Before him stand three children in traditional dress, engaged in animated interaction, with a rustic village house, trees, and clouds rendered in the background. The name 'NASREDDİN HOCA' is inscribed along the upper arc of the inner border, while the Turkish proverb 'PARAYI VEREN DÜDÜĞÜ ÇALAR' curves along the lower arc, the whole composition executed in a folk-art illustrative style characteristic of Turkish commemorative coinage. |
| Reversschrift | Latin |
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| Rand | Anmelden um Details zu sehen |
| Prägestätte | Anmelden um Details zu sehen |
| Auflage | Anmelden um Details zu sehen |
| Zusätzliche Informationen |
Nasreddin Hoca is among the most enduring folk figures in the Turkic world — a 13th-century Anatolian satirist whose contradictory, logic-defying parables have been claimed by nearly a dozen nations as their own cultural property. UNESCO designated 1996 as the International Nasreddin Hodja Year, though scholarly consensus on whether he was a historical individual or a composite literary invention remains unsettled. Turkey has long staked its claim to him, with his supposed tomb in Akşehir drawing visitors annually.
This issue belongs to a broader Darphane series commemorating figures from Turkish cultural history in base metal collector formats — circulated as legal tender at face value but priced well above that in secondary markets from issue.