Catalogus
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| Uitgever | Tarsos |
|---|---|
| Jaar | 164 BC - 27 BC |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Gewicht | Log in om details te zien |
| Diameter | Log in om details te zien |
| Dikte | Log in om details te zien |
| Vorm | Log in om details te zien |
| Techniek | Log in om details te zien |
| Oriëntatie | Coin alignment ↑↓ |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Schrift voorzijde | Log in om details te zien |
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Log in om details te zien |
| Schrift keerzijde | Log in om details te zien |
| Opschrift keerzijde | TAPCЄΩN (Translation: of Tarsos) |
| Rand | Log in om details te zien |
| Muntplaats | Tarsos (Cilicia) |
| Oplage | Log in om details te zien |
| Aanvullende informatie |
Tarsus enjoyed a long run of civic autonomy under Seleucid and later Roman suzerainty, and its bronze coinage of this period reflects that semi-independent status — the city retained the right to strike its own bronzes even as larger political authority shifted hands. Sandan was a specifically Cilician deity, a god of storm and vegetation whose cult predated Greek settlement in the region and persisted stubbornly alongside the Hellenized Tyche well into the Roman period.
The pairing of these two figures on a single type is an unusually explicit acknowledgment of the indigenous religious substrate beneath Tarsus's Greek civic veneer.