Catalog
| Issuer | Aigospotamoi |
|---|---|
| Year | 300 BC |
| Type | Standard circulation coin |
| Value | |
| Currency | Drachm |
| Composition | Bronze |
| Weight | 7.86 g |
| Diameter | 19.0 mm |
| Thickness | |
| Shape | Round (irregular) |
| Technique | Hammered |
| Orientation | |
| Engraver(s) | |
| In circulation to | |
| Reference(s) | SNG Copenhagen#850 |
| Obverse description | Head of Demeter left, wearing triple-pendant earring, necklace and stephanos decorated with a laurel wreath and vine |
|---|---|
| Obverse script | |
| Obverse lettering | |
| Reverse description | Goat standing left |
| Reverse script | Greek |
| Reverse lettering | ΑΙΓΟΣ ΠΟ |
| Edge | |
| Mint | |
| Mintage |
ND (-300) - - |
| Numisquare ID | 9311188400 |
| Additional information |
Historical Context: Issued around 300 BC, this Æ19 coin from Aigospotamoi dates to the early Hellenistic period, a time of significant geopolitical flux following Alexander the Great's death. Located in the Thracian Chersonese, Aigospotamoi was likely under the shifting influence of the Diadochi, possibly Lysimachus. The issuance of local bronze coinage signifies a degree of civic autonomy and economic self-sufficiency, crucial for daily transactions in a region often contested by larger powers.
Artistry: While specific engraver signatures are rare on bronze issues, this coin's design adheres to the prevailing Hellenistic stylistic school. This era favored a blend of classical idealism with emerging realism, depicting deities or personifications with greater emotional depth. Common obverse types for Aigospotamoi include heads of local nymphs or deities, while reverses frequently feature symbols such as a goat or star, reflecting local cults or economic significance. Execution was typically robust, aiming for clear communication of civic identity.
Technical/Grading: This Æ19, weighing 7.86 grams and measuring 19.0 millimeters, exhibits typical characteristics of Hellenistic bronze production. High points for wear include the hair and facial features on the obverse portrait, and any raised elements on the reverse. Strike quality varies; some examples show a full, centered impression, while others may exhibit minor off-centering or weaker strikes, common due to irregular bronze flans and period striking methods. Surface preservation, including patination, is also a key grading factor.