Catálogo
| Emissor | Tomis |
|---|---|
| Ano | 200 BC - 101 BC |
| Tipo | Standard circulation coin |
| Valor | |
| Moeda | Drachm |
| Composição | Bronze |
| Peso | 4.52 g |
| Diâmetro | 19 mm |
| Espessura | |
| Formato | Round (irregular) |
| Técnica | Hammered |
| Orientação | Variable alignment ↺ |
| Gravador(es) | |
| Em circulação até | |
| Referência(s) | HGC 3.2#1939, AMNG I-II#2462 |
| Descrição do anverso | Laureate head of Great God right. |
|---|---|
| Escrita do anverso | |
| Legenda do anverso | |
| Descrição do reverso | Two horse foreparts right; star above each, monogram or letter to left. |
| Escrita do reverso | Greek |
| Legenda do reverso | TOMI |
| Bordo | |
| Casa da moeda | |
| Tiragem |
ND (200 BC - 101 BC) - - |
| ID Numisquare | 7214480270 |
| Informações adicionais |
Historical Context: This Æ19 from Tomis belongs to the later Hellenistic period, a time of significant geopolitical flux in the Black Sea region. As a prominent Greek polis on the Pontic coast, Tomis maintained considerable civic autonomy, reflected in its right to issue coinage. While influenced by larger Hellenistic powers, its bronze currency primarily served local economic needs, facilitating trade and daily transactions within the city and its immediate hinterland. This issue underscores Tomis's enduring identity and economic self-sufficiency during the second and early first centuries BC.
Artistry: The stylistic school evident in this Æ19 is distinctly Hellenistic Greek, characterized by a blend of classical idealism and regional interpretation. While the specific engraver remains anonymous, the design typically features a deity or symbolic representation on the obverse, rendered with a degree of naturalism and sculptural depth common to the era. The reverse often depicts a civic emblem or another deity, crafted to convey the city's unique identity and religious affiliations, reflecting the broader artistic conventions of Black Sea Greek mints.
Technical/Grading: The technical execution of this bronze Æ19 often varies. High-points for typical designs, such as a laureate head, include the hair, brow, and nose, while reverse details depend on the specific motif. Well-struck examples will exhibit a clear, centered impression of both dies, with minimal flan irregularities. However, many surviving specimens show characteristic signs of ancient bronze production, including off-center strikes, minor die wear, or uneven flan preparation, which are important considerations for grading and assessing overall preservation.