カタログ
| 発行体 | Apamea |
|---|---|
| 年号 | 133 BC - 48 BC |
| 種類 | Standard circulation coin |
| 額面 | |
| 通貨 | Drachm |
| 材質 | Bronze |
| 重量 | 7.11 g |
| 直径 | 19 mm |
| 厚さ | |
| 形状 | Round (irregular) |
| 製造技法 | Hammered |
| 向き | |
| 彫刻師 | |
| 流通終了年 | |
| 参考文献 | SNG Copenhagen#168, BMC Greek#104ff |
| 表面の説明 | Helmeted head of Athena right, in high-crested Corinthian helmet |
|---|---|
| 表面の文字体系 | |
| 表面の銘文 | |
| 裏面の説明 | Eagle flying right above Meander pattern, stars above eagle alighting right on basis decorated with meander pattern, flanked by caps of the Dioskouroi surmounted by stars |
| 裏面の文字体系 | Greek |
| 裏面の銘文 | ΑΠΑΜΕΩΝ [ΦΙΛΟΚΡΑΤΟΥΣ ΑΡΙΣΤΕΟΥ] |
| 縁 | |
| 鋳造所 | |
| 鋳造数 |
ND (133 BC - 48 BC) - - |
| Numisquare ID | 6325898650 |
| 追加情報 |
Historical Context: This Æ19 coin from Apamea, dated 133 BC to 48 BC, originates from a pivotal period as the city integrated into the Roman province of Asia. Apamea, a significant Phrygian commercial hub, navigated Roman administration and the tumultuous Mithridatic Wars. This broad date range reflects the city's continued authority to mint bronze currency for local commerce, underscoring its economic resilience and the daily needs of its populace, thereby maintaining a distinct civic identity under evolving Roman influence.
Artistry: The anonymous engraver worked within the provincial Hellenistic tradition, common in Asia Minor during the late Roman Republic. Obverse designs typically feature a deity bust, such as Zeus or Artemis Anaitis, or a personification, rendered with a blend of classical form and local interpretation. The reverse often displays civic emblems like the river god Marsyas, an eagle, or a cornucopia, symbolizing the city's prosperity. This style prioritized clear, recognizable iconography for local bronze currency, conveying civic pride over high artistic innovation.
Technical/Grading: Struck on a 7.11-gram, 19-millimeter bronze flan, the technical execution of these issues varied. High-points for detail preservation include the hair, facial features, and drapery on the obverse portrait, and prominent elements on the reverse. A superior strike exhibits a well-centered design with full details on both sides and minimal die wear. Common strike characteristics include slight off-centering or incomplete strikes, particularly at the peripheries, reflecting typical challenges faced by provincial mints of this period.