| 発行体 | Gandhara Kingdom |
|---|---|
| 年号 | 600 BC - 350 BC |
| 種類 | Standard circulation coin |
| 額面 | 1/8 Satamana (⅜) |
| 通貨 | Karshapan (320 BC to 160 BC) |
| 材質 | Silver |
| 重量 | 1.38 g |
| 直径 | 14 mm |
| 厚さ | |
| 形状 | Round (irregular) |
| 製造技法 | |
| 向き | |
| 彫刻師 | |
| 流通終了年 | |
| 参考文献 | ACR#13 |
| 表面の説明 | Six-petaled flower punch Mark |
|---|---|
| 表面の文字体系 | |
| 表面の銘文 | |
| 裏面の説明 | |
| 裏面の文字体系 | |
| 裏面の銘文 | |
| 縁 | Plain |
| 鋳造所 | |
| 鋳造数 |
-600 - Approx. Date - -350 - - |
| Numisquare ID | 1621044030 |
| 追加情報 |
Historical Context: This 1/8 Satamana coin originates from the Gandhara Janapada, one of the sixteen great kingdoms (Mahajanapadas) of ancient India, flourishing between 600 BC and 350 BC. Situated in the strategically vital region encompassing modern-day northern Pakistan and eastern Afghanistan, Gandhara was a significant political and economic power. This coinage represents a crucial phase in the evolution of money in the Indian subcontinent, predating or co-existing with the widespread punch-marked series, and is among the earliest indigenous metallic currencies. The Satamana standard itself was a foundational weight system.
Artistry: The engraver of this early coinage remains anonymous, a common characteristic of pre-Mauryan minting practices, likely produced by state or guild workshops rather than individual artists. Stylistically, it belongs to the archaic Indian school, emphasizing symbolic representations over naturalistic depictions. The design typically features a single, distinct symbol or a combination of smaller marks impressed onto a thick, often irregular silver flan. For ACR#13, this often involves a prominent central device, such as a six-armed symbol or a wheel, indicative of the region's early numismatic iconography.
Technical/Grading: The technical quality of these early hammered coins is inherently variable. Planchets for the 1/8 Satamana are typically small, thick, and often irregular in shape, sometimes exhibiting a slightly cup-shaped or bent profile. Strikes are frequently off-center or weak, particularly towards the edges, due to the manual striking process and the often-uneven surface of the flan. Key high-points for grading would be the central elements of the impressed symbol(s), which would show the earliest signs of wear. Full impression of all design elements, especially those in higher relief, is rare and highly prized.