Katalog
| İhraççı | Knossos |
|---|---|
| Yıl | 220 BC |
| Tür | Standard circulation coin |
| Değer | |
| Para birimi | Drachm |
| Bileşim | Bronze |
| Ağırlık | 3.04 g |
| Çap | 18.0 mm |
| Kalınlık | |
| Şekil | Round (irregular) |
| Teknik | Hammered |
| Yönlendirme | |
| Gravürcü(ler) | |
| Dolaşımda olduğu yıl | |
| Referans(lar) | SNG Copenhagen#378 |
| Ön yüz açıklaması | Europa riding bull left and two dolphins confronted in exergue |
|---|---|
| Ön yüz yazısı | |
| Ön yüz lejandı | |
| Arka yüz açıklaması | Labyrinth and star above it |
| Arka yüz yazısı | |
| Arka yüz lejandı | |
| Kenar | |
| Darphane | |
| Basma adedi |
ND (-220) - - |
| Numisquare Kimliği | 6984808300 |
| Ek bilgiler |
Historical Context: This Æ18 bronze was issued by the prominent Cretan city-state of Knossos around 220 BC, firmly within the turbulent Hellenistic period. Knossos was a major power, engaged in complex alliances and conflicts, notably leading up to the Lyttian War (221-219 BC). The issuance of civic bronzes like this underscores Knossos's economic autonomy and its role as a self-governing entity, providing essential small change for daily commerce amidst regional instability. These issues reflect the city's enduring self-governance and economic vitality during a period of intense inter-city rivalry on Crete.
Artistry: The anonymous engraver's work exemplifies Hellenistic Cretan artistic traditions. Knossian bronzes of this period frequently depict a veiled head of Hera on the obverse, reflecting the city's significant cult. The reverse typically features the iconic Labyrinth, a potent symbol of Knossos's mythical heritage and its association with King Minos. The style combines robust, often generalized, portraiture on the obverse with a clear, albeit often simplified, geometric representation on the reverse, maintaining civic identity through traditional iconography that resonated deeply with the city's foundation myths.
Technical/Grading: Struck on an 18.0 mm bronze flan weighing 3.04 grams, this Æ18 is a common denomination. High-points susceptible to wear include Hera's prominent nose, chin, and the folds of her veil; on the reverse, the Labyrinth's central lines and corners are the first areas to show flattening. Technical strike qualities are often variable for such bronzes; off-center strikes and irregular flans are not uncommon. A well-struck example would exhibit full detail on both sides, with clear depiction of the Labyrinth's intricate pattern and Hera's facial features, despite the inherent limitations of bronze coinage production.