Katalog
| Emitent | Thessaloniki |
|---|---|
| Rok | 187 BC - 31 BC |
| Typ | Standard circulation coin |
| Hodnota | Chalkon (1⁄48) |
| Měna | Drachm |
| Složení | Bronze |
| Hmotnost | 4.0 g |
| Průměr | 17.0 mm |
| Tloušťka | 2.0 mm |
| Tvar | Round (irregular) |
| Technika | Hammered |
| Orientace | Variable alignment ↺ |
| Rytci | |
| V oběhu do | |
| Reference | BMC Greek#1 |
| Popis líce | Laureate head of Apollo right. |
|---|---|
| Písmo líce | |
| Opis líce | |
| Popis rubu | Tripod with three laurel sprays. |
| Písmo rubu | Greek |
| Opis rubu |
ΘΕΣΣΑΛΟ NIKHΣ (Translation: Thessaloniki) |
| Hrana | |
| Mincovna | |
| Náklad |
ND (187 BC - 31 BC) - - |
| ID Numisquare | 2886037140 |
| Další informace |
Historical Context: This Æ16 coin from Thessaloniki spans a pivotal period from 187 BC to 31 BC, marking the city's transition from a Hellenistic power to a significant Roman ally and eventually the capital of the Roman province of Macedonia. Following the Third Macedonian War, Thessaloniki enjoyed the status of a free city (civitas libera) under Roman protection, flourishing as a vital port and commercial hub. The broad dating reflects a period of consistent bronze coinage issuance, underscoring the city's stable municipal administration and economic importance within the burgeoning Roman sphere.
Artistry: Lacking specific engraver attribution, this coin typifies the late Hellenistic style, often exhibiting a blend of Greek artistic traditions with nascent Roman iconographic influences. Common designs for BMC Greek#1 include a dignified bust of a deity or personification, such as Roma or the local patron goddess, on the obverse. The reverse typically features a civic emblem or symbol of prosperity, rendered with a degree of naturalism characteristic of the era, reflecting the city's pride and its strategic maritime importance.
Technical/Grading: Struck on a bronze flan of 4.0 grams and 17.0 mm, this Æ16 typically exhibits a medium to strong strike. High-points for wear often include the highest relief of the obverse bust (e.g., hair, cheekbone) and prominent features of the reverse device. Flan quality can vary, sometimes showing minor porosity or irregular edges common to ancient bronze issues. Centering is often adequate, though off-center strikes are not uncommon, impacting the full visibility of legends or design elements.