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15 Pesos Homeland and Freedom, Piedfort
| Emittent | Banco Nacional de Cuba |
|---|---|
| Jahr | 1988-1990 |
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| Nennwert | Anmelden um Details zu sehen |
| Währung | Anmelden um Details zu sehen |
| Material | Anmelden um Details zu sehen |
| Gewicht | Anmelden um Details zu sehen |
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| Dicke | Anmelden um Details zu sehen |
| Form | Anmelden um Details zu sehen |
| Prägetechnik | Anmelden um Details zu sehen |
| Ausrichtung | Anmelden um Details zu sehen |
| Stempelschneider | Obverse: Charles Edward Barber Reverse: Belisario Álvarez Collado |
| Im Umlauf bis | Anmelden um Details zu sehen |
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| Aversbeschreibung | Anmelden um Details zu sehen |
|---|---|
| Aversschrift | Anmelden um Details zu sehen |
| Averslegende | REPUBLICA DE CUBA 15 PESOS (Translation: Republic of Cuba 15 Pesos) |
| Reversbeschreibung | The reverse presents a bold right-facing portrait of José Martí, the Cuban national hero and poet, rendered in high relief with finely engraved hair and a characteristic small mustache. The legend PATRIA Y LIBERTAD arcs along the upper periphery within a beaded border. In the lower field, the fineness 0.999 and the date 1988 are inscribed at the base, flanked by a small key mintmark and a star to the left. The weight designation 1/8 OZ appears along the left margin, and the inscription oro fino (fine gold) curves along the right margin, completing the typological information. |
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| Rand | Anmelden um Details zu sehen |
| Prägestätte | Anmelden um Details zu sehen |
| Auflage | Anmelden um Details zu sehen |
| Zusätzliche Informationen |
Piedforts — coins struck at double the standard planchet thickness — have historically served as presentation pieces for dignitaries, archivists, and monetary officials rather than circulation. Cuba's use of the format in the late 1980s aligns with the Banco Nacional's aggressive hard-currency program, which used collector and bullion issues to generate desperately needed foreign exchange as the Soviet subsidy pipeline began to falter ahead of the USSR's 1991 collapse.
The six JMA references spanning this three-year window suggest multiple design pairings were issued across the run — each piedfort individually scarce, the series collectively underrepresented in Western auction records.