Catalog
| Issuer | Knossos |
|---|---|
| Year | 300 BC - 270 BC |
| Type | Standard circulation coin |
| Value | |
| Currency | Drachm |
| Composition | Bronze |
| Weight | 3.25 g |
| Diameter | 15.5 mm |
| Thickness | |
| Shape | Round (irregular) |
| Technique | Hammered |
| Orientation | |
| Engraver(s) | |
| In circulation to | |
| Reference(s) | SNG Copenhagen#372, SvoronosCr#85 |
| Obverse description | Wreathed head of female right |
|---|---|
| Obverse script | |
| Obverse lettering | |
| Reverse description | Head of Zeus right |
| Reverse script | |
| Reverse lettering | |
| Edge | |
| Mint | |
| Mintage |
ND (300 BC - 270 BC) - - |
| Numisquare ID | 1998854690 |
| Additional information |
Historical Context: This Æ15 bronze coin was issued by the prominent Cretan city-state of Knossos during the early Hellenistic period, approximately 300-270 BC. Following the dissolution of Alexander the Great's empire, Knossos navigated a complex political landscape. The issuance of local bronze coinage was vital for daily economic transactions, underscoring the city's continued civic autonomy and administrative capacity in a period marked by regional conflict and commercial activity.
Artistry: The design of this piece, referenced as SNG Copenhagen 372 and SvoronosCr 85, typically features a veiled head of Demeter or Persephone on the obverse, wreathed with grain, rendered in a distinctive Late Classical to Early Hellenistic style. The reverse invariably depicts the iconic Labyrinth, the mythical maze inextricably linked to Knossos. While the engraver remains anonymous, the artistry reflects the prevalent Greek aesthetic, emphasizing idealized forms and clear iconography, effectively communicating the city's agricultural prosperity and profound mythological heritage.
Technical/Grading: Weighing 3.25 grams and measuring 15.5 millimeters, this bronze issue represents a practical denomination. Key high-points for wear on the obverse include facial features, especially the nose and chin, and the grain wreath details. On the reverse, the raised lines of the Labyrinth are most susceptible to abrasion. Typical examples often exhibit some degree of off-centering or a less-than-full strike, common for bronze coinage of the era, produced for high-volume circulation rather than numismatic precision.