Catálogo
| Emissor | Seriphos |
|---|---|
| Ano | 200 BC - 1 BC |
| Tipo | Standard circulation coin |
| Valor | |
| Moeda | Drachm |
| Composição | Bronze |
| Peso | 2.85 g |
| Diâmetro | 15.0 mm |
| Espessura | |
| Formato | Round (irregular) |
| Técnica | Hammered |
| Orientação | Variable alignment ↺ |
| Gravador(es) | |
| Em circulação até | |
| Referência(s) | SNG Copenhagen#741, BMC Greek#11, Weber#4711 |
| Descrição do anverso | Helmeted head of Perseus facing right. Harpa to the right |
|---|---|
| Escrita do anverso | |
| Legenda do anverso | |
| Descrição do reverso | Harpa in the middle with the inscription around it. All within beaded ring |
| Escrita do reverso | Greek |
| Legenda do reverso | ΣΕΡΙ ΦΕΩΝ |
| Bordo | |
| Casa da moeda | |
| Tiragem |
ND (200 BC - 1 BC) - - |
| ID Numisquare | 1956201610 |
| Informações adicionais |
Historical Context: The Æ15 from Seriphos, dated 200 BC - 1 BC, reflects the Late Hellenistic era in the Aegean. This bronze coinage signifies Seriphos's persistent local autonomy as a small Cycladic island. It served as crucial fractional currency for daily transactions, indicative of the island's modest economy and administrative needs, not imperial ambition. Its continuous production underscores enduring local self-governance amidst broader geopolitical shifts.
Artistry: The engraver of this Æ15 remains anonymous, common for provincial Hellenistic bronzes. The coin's design typically follows the broader Hellenistic stylistic school, blending classical ideals with a naturalistic, often rustic, local interpretation. Seriphian bronzes frequently featured motifs tied to local mythology, such as Perseus, or indigenous fauna like a frog, possibly alluding to the island's name. The artistry, though less refined than metropolitan issues, effectively communicated local identity and served its utilitarian purpose.
Technical/Grading: This bronze Æ15, weighing 2.85 grams and measuring 15.0 millimeters, was a common denomination. High-points for grading typically involve the central features of the obverse and reverse designs. Technical strike qualities often vary; bronze flans were frequently irregular, leading to off-center or uneven strikes. A well-struck example, showcasing clear devices and good centering on a relatively round flan, would be considered exceptional, as full detail is often elusive due to manufacturing.