Katalog
| İhraççı | Sardes |
|---|---|
| Yıl | 133 BC |
| Tür | Standard circulation coin |
| Değer | |
| Para birimi | Drachm |
| Bileşim | Bronze |
| Ağırlık | 3.2 g |
| Çap | 14.8 mm |
| Kalınlık | 2.9 mm |
| Şekil | Round (irregular) |
| Teknik | Hammered |
| Yönlendirme | Coin alignment ↑↓ |
| Gravürcü(ler) | |
| Dolaşımda olduğu yıl | |
| Referans(lar) | SNG Copenhagen#470-482, SNG von Aulock#3125-3126 |
| Ön yüz açıklaması | Laureate head of Apollo facing right |
|---|---|
| Ön yüz yazısı | |
| Ön yüz lejandı | |
| Arka yüz açıklaması | Inscription around club and all within a wreath. Monogram to the right |
| Arka yüz yazısı | Greek |
| Arka yüz lejandı |
ΣΑΡΔΙ ΑΝΩΝ (Translation: Of Sardes) |
| Kenar | Rough |
| Darphane | |
| Basma adedi |
ND (-133) - - |
| Numisquare Kimliği | 1620875880 |
| Ek bilgiler |
Historical Context: This Æ15 coin from Sardes, dated to 133 BC, arises from a watershed moment in ancient history. This year marks the death of Attalus III of Pergamon and his bequest of the Attalid kingdom to Rome, profoundly reshaping Asia Minor. Sardes, a major Lydian city, was transitioning from Hellenistic autonomy to nascent Roman provincial administration. This civic issue thus represents the continued assertion of local identity and economic function amidst significant geopolitical upheaval, predating the full establishment of the Roman province of Asia.
Artistry: The engraver of this bronze issue remains anonymous, typical for civic coinage of the late Hellenistic period. It adheres to the prevailing Hellenistic stylistic school, blending naturalism with idealized form. Common obverse types for Sardes feature the head of a deity like Dionysos or Apollo, rendered with classical proportions. The reverse typically depicts a related mythological figure or local symbol, executed with robust, if sometimes simplified, lines reflecting the practicalities of bronze die engraving.
Technical/Grading: Measuring 14.8 mm and weighing 3.2 grams, this Æ15 module exhibits typical characteristics. High-points generally include the hair and facial features on the obverse deity, and prominent musculature or drapery folds on the reverse motif. Strike quality can vary, with common issues including minor off-centering, areas of weakness from worn dies, or slight irregularities in flan preparation. Well-preserved examples offer clear details of the iconography, providing insight into Sardes' civic minting practices.