Catalog
| Issuer | Carthage |
|---|---|
| Year | 203 BC - 201 BC |
| Type | Standard circulation coin |
| Value | 1/4 Gold Stater (3) |
| Currency | Shekel |
| Composition | Gold |
| Weight | 1.9 g |
| Diameter | 14 mm |
| Thickness | |
| Shape | Round (irregular) |
| Technique | Hammered |
| Orientation | |
| Engraver(s) | |
| In circulation to | |
| Reference(s) | GCV#6479, Müller SBZ#62, J&L#464-467, MAA#76 |
| Obverse description | Head of Tanit left, wreathed with corn, wearing necklace without pendants and single-drop ear-ring. |
|---|---|
| Obverse script | |
| Obverse lettering | |
| Reverse description | Horse standing right, left foreleg drawn slightly back. |
| Reverse script | |
| Reverse lettering | |
| Edge | |
| Mint | |
| Mintage |
ND (203 BC - 201 BC) - - |
| Numisquare ID | 6167306040 |
| Additional information |
Historical Context: This Carthaginian 1/4 Stater was struck during the final, desperate years of the Second Punic War (203-201 BC). Facing imminent defeat by Rome under Scipio Africanus, Carthage was under immense pressure, culminating in the Battle of Zama in 202 BC. The issuance of gold coinage, particularly fractions, underscores the republic's critical need to finance its dwindling mercenary forces or meet urgent financial obligations. This coin is a poignant testament to Carthage's struggle for survival against an ascendant Roman power.
Artistry: The obverse typically features a finely rendered head of Tanit, the principal Punic goddess, often assimilated with Greek Kore/Persephone. She is usually depicted facing left, adorned with a wreath of grain ears or a hairnet, showcasing a distinct Punic-Hellenistic stylistic school. The reverse commonly displays a standing or prancing horse, an iconic symbol of Carthaginian power, sometimes accompanied by a palm tree. While specific engravers are unknown, the artistry reflects skilled die-cutting, often drawing inspiration from Sicilian Greek prototypes.
Technical/Grading: Struck on a small, thick gold flan, this 1.9-gram coin requires careful examination for strike quality. Key high-points for Tanit include the details of her wreath and facial features; for the horse, attention should be paid to the mane, musculature, and hooves. Well-struck examples exhibit full detail on both devices, often with a pleasing luster. Off-center strikes or minor planchet imperfections are not uncommon for these emergency issues, but a strong, centralized strike significantly enhances its numismatic appeal and grade.