Catalogue
| Émetteur | Ashdod |
|---|---|
| Année | 539 BC - 332 BC |
| Type | Standard circulation coin |
| Valeur | 1/4 Shekel |
| Devise | Drachm |
| Composition | Silver |
| Poids | 3.58 g |
| Diamètre | 16 mm |
| Épaisseur | |
| Forme | Round (irregular) |
| Technique | Hammered |
| Orientation | |
| Graveur(s) | |
| En circulation jusqu’à | |
| Référence(s) | Hendin 5ᵗʰ#1002 |
| Description de l’avers | Hear right wearing oriental headdress, hair arranged as a ponytail and knotted at bottom; ornamented ear with earring resembling ankh, within dotted circle |
|---|---|
| Écriture de l’avers | |
| Légende de l’avers | |
| Description du revers | Ibex standing right, head turned back, lily (?) bent to right behind, surrounded by cable border in incuse square |
| Écriture du revers | |
| Légende du revers |
אשדד (Translation: Ashdod) |
| Tranche | |
| Atelier | |
| Tirage |
ND (539 BC - 332 BC) - - |
| ID Numisquare | 7823056780 |
| Informations supplémentaires |
Historical Context: This 1/4 Shekel from Ashdod was issued during the Achaemenid Persian period (539-332 BC), a time when the Levant was under Persian suzerainty. Ashdod, a significant Philistine city, maintained a degree of local autonomy, including the right to mint coinage for regional commerce. These issues underscore the city's economic vitality and its role within the Persian administrative framework, facilitating trade and taxation in a crucial geopolitical crossroads.
Artistry: The engraver of this piece remains anonymous, characteristic of early Levantine mints. Stylistically, these Ashdod issues often reflect a blend of local iconography and prevalent Greek numismatic traditions, particularly the influence of Athenian types. Common designs for this period include an owl, often accompanied by a local symbol such as a lily or a specific inscription, rendered with varying degrees of provincial artistry.
Technical/Grading: Struck in silver to a weight of 3.58 grams and a diameter of 16 mm, this coin's technical quality can vary significantly. High-points, such as the owl's breast feathers or facial features (if applicable), are crucial for grading. Early strikes may exhibit full detail, while later issues often show die wear. Irregular flan shapes, off-center strikes, and minor planchet imperfections are common for this series, impacting overall visual appeal and grade.