Æ14

Émetteur Aitna
Année 400 BC - 350 BC
Type Standard circulation coin
Valeur
Devise Litra
Composition Bronze
Poids 4.9 g
Diamètre 14 mm
Épaisseur
Forme Round (irregular)
Technique Hammered
Orientation
Graveur(s)
En circulation jusqu’à
Référence(s) SNG ANS 3#1159, SNG Copenhagen#94-97
Description de l’avers Head of Persephone right in a wreath of grain.
Écriture de l’avers
Légende de l’avers
Description du revers Horse galloping right.
Écriture du revers
Légende du revers
Tranche
Atelier
Tirage ND (400 BC - 350 BC) - -
ID Numisquare 1305639340
Informations supplémentaires

Historical Context: The Æ14 of Aitna dates to the Late Classical period (400-350 BC), a turbulent era in Sicilian history marked by ongoing conflicts between Greek city-states and Carthage, as well as internal political shifts. Aitna, located near Mount Etna, often found its fortunes intertwined with powerful Syracuse. This bronze issue represents a period where the city maintained its civic identity, issuing local currency for daily commerce, underscoring its autonomy despite external pressures. The bronze denomination facilitated broader economic transactions for the populace.

Artistry: While specific engravers for these smaller bronze denominations are typically unrecorded, the coin reflects the broader Sicilian Greek artistic school of the Late Classical period. Common designs for Aitna include a laureate head of Apollo or a local nymph on the obverse, rendered with a blend of idealism and naturalism. The reverse often features an eagle, a tripod, or symbols referencing the volcanic Mount Etna, such as a lava flow or a crater. The style is characterized by robust forms and a clear, if sometimes simplified, execution suitable for the module.

Technical/Grading: This Æ14, weighing 4.9 grams and measuring 14 millimeters, is typical for its class. Key high-points for wear and strike quality would include the hair and facial features on the obverse and the breast feathers and wing tips of an eagle on the reverse. Due to the nature of bronze coinage and the striking techniques of the era, examples often exhibit some degree of off-centering, planchet irregularities, or a slightly softer strike, which can obscure finer details. A well-centered example with full depiction of the primary devices is highly desirable.

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