カタログ
| 発行体 | Salamis of Cyprus |
|---|---|
| 年号 | 525 BC - 500 BC |
| 種類 | Standard circulation coin |
| 額面 | ⅓ Siglos |
| 通貨 | Drachm |
| 材質 | Silver |
| 重量 | 3.7 g |
| 直径 | |
| 厚さ | |
| 形状 | Round (irregular) |
| 製造技法 | Hammered |
| 向き | |
| 彫刻師 | |
| 流通終了年 | |
| 参考文献 | GCV#3588, Tziambazis#96, BMC Greek#5, SilCoinCy#A4428 |
| 表面の説明 | Recumbent ram facing left. Inscription in Cypriot-syllabic for Euelthon. |
|---|---|
| 表面の文字体系 | Cypriot |
| 表面の銘文 |
###to_edit### (Translation: Euelthon) |
| 裏面の説明 | Smooth |
| 裏面の文字体系 | |
| 裏面の銘文 | |
| 縁 | |
| 鋳造所 | |
| 鋳造数 |
ND (525 BC - 500 BC) - - |
| Numisquare ID | 2718971920 |
| 追加情報 |
Historical Context: This silver 1/3 Siglos, issued by Euelthon, King of Salamis, Cyprus, dates to the late Archaic period (525-500 BC). Euelthon was a significant ruler whose reign marked a period of relative autonomy for Salamis amidst the geopolitical pressures from rising Persian power and the waning influence of Egypt. The issuance of this fractional coinage signifies Salamis's economic vitality and Euelthon's assertion of sovereignty, demonstrating the city's role as a regional trade hub and its participation in the nascent monetary economies of the Eastern Mediterranean.
Artistry: The artistry of this coin, while anonymous, reflects the distinctive Cypriot style of the Archaic period, which often fused Greek and Near Eastern artistic traditions. The obverse typically features a powerful animal motif, such as a lion's head, rendered with a bold, somewhat stylized yet naturalistic quality characteristic of the era. Details like the mane and facial features are depicted with a strong, almost sculptural presence. The reverse is often simpler, perhaps an incuse square or a rudimentary symbol, indicating the early stage of coin production and artistic development.
Technical/Grading: Struck on a relatively thick, often irregularly shaped flan, this 1/3 Siglos typically exhibits the technical limitations of early minting. High-points on the obverse, such as the lion's muzzle and the prominent strands of its mane, are frequently flat or weakly struck due to uneven die pressure. Centering can vary, and the reverse impression, if present, is often shallow or partially off-flan. Despite these common imperfections, a well-preserved example with a clear depiction of the primary obverse motif and minimal die wear is highly prized.