Katalog
| İhraççı | Selge |
|---|---|
| Yıl | 200 BC - 1 BC |
| Tür | Standard circulation coin |
| Değer | |
| Para birimi | Drachm |
| Bileşim | Bronze |
| Ağırlık | 2.3 g |
| Çap | 13 mm |
| Kalınlık | |
| Şekil | Round (irregular) |
| Teknik | Hammered |
| Yönlendirme | |
| Gravürcü(ler) | |
| Dolaşımda olduğu yıl | |
| Referans(lar) | SNG France#1983 |
| Ön yüz açıklaması | Bust of Herakles laureate on the right, club over the shoulder , club on the left field. |
|---|---|
| Ön yüz yazısı | |
| Ön yüz lejandı | |
| Arka yüz açıklaması | Thunderbolt and Bow. |
| Arka yüz yazısı | |
| Arka yüz lejandı | |
| Kenar | |
| Darphane | |
| Basma adedi |
ND (200 BC - 1 BC) - - |
| Numisquare Kimliği | 9409890360 |
| Ek bilgiler |
Historical Context: This Æ13 bronze coin, issued by the ancient city of Selge in Pisidia, dates from the late Hellenistic period (200 BC - 1 BC). Selge was a strategically important, fiercely independent city-state nestled in the Taurus Mountains. Its continuous bronze coinage over such a broad span reflects its enduring autonomy amidst the shifting regional hegemonies of the Seleucid, Pergamene, and later Roman powers. These issues served the local economy, underscoring Selge's self-governance and economic vitality within a dynamic geopolitical landscape.
Artistry: The anonymous engraver worked within the Hellenistic provincial stylistic school, characterized by a blend of classical Greek ideals and local interpretations. While specific designs vary across the series, coins from Selge frequently depict powerful deities like Zeus or Herakles, often reflecting the city's robust character and martial prowess. The artistry, though sometimes simplified for small bronze flans, aimed to convey civic identity and religious reverence through recognizable and locally significant iconography, connecting the populace to their heritage.
Technical/Grading: This bronze coin measures 13 mm and weighs 2.3 grams, typical for municipal small change of the period. High-points for wear would include the highest relief areas, such as the hair, facial features, or musculature of the depicted deity. Technical strike qualities often vary significantly; rapid production methods could result in off-center strikes, weak areas, or irregular flans. Collectors should assess the overall centering, strength of strike, and preservation of fine details, particularly on the obverse portraiture or reverse iconography, for optimal grade assessment.