Catalogus
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| Uitgever | Republic of Venice |
|---|---|
| Jaar | 1741-1752 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Gold |
| Gewicht | Log in om details te zien |
| Diameter | Log in om details te zien |
| Dikte | Log in om details te zien |
| Vorm | Log in om details te zien |
| Techniek | Log in om details te zien |
| Oriëntatie | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Schrift voorzijde | Log in om details te zien |
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Log in om details te zien |
| Schrift keerzijde | Latin |
| Opschrift keerzijde | Log in om details te zien |
| Rand | Plain |
| Muntplaats | Log in om details te zien |
| Oplage | Log in om details te zien |
| Aanvullende informatie |
Pietro Grimani served as Doge from 1741 until his death in 1752, and the 12 Zecchini oselle was among the most prestigious presentation pieces the Venetian mint produced — struck not for commerce but as diplomatic gifts and ducal largesse. By the mid-eighteenth century Venice was financially exhausted, its eastern trading empire reduced to a handful of contested outposts, yet the Republic continued commissioning these heavy gold multiples as performance of a sovereignty it could barely afford to project.
The zecchino itself took its name from the Zecca, the Venetian mint operating since the thirteenth century on the Piazzetta.