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12 Mariengroschen - Rudolph August and Anthony Ulrich

Uitgever Brunswick-Wolfenbüttel, Principality of
Jaar 1690-1691
Type Log in om details te zien
Waarde 12 Mariengroschen (⅓)
Valuta Log in om details te zien
Samenstelling Log in om details te zien
Gewicht Log in om details te zien
Diameter Log in om details te zien
Dikte Log in om details te zien
Vorm Log in om details te zien
Techniek Log in om details te zien
Oriëntatie Log in om details te zien
Graveur(s) Log in om details te zien
In omloop tot Log in om details te zien
Referentie(s) Log in om details te zien
Beschrijving voorzijde Log in om details te zien
Schrift voorzijde Log in om details te zien
Opschrift voorzijde Log in om details te zien
Beschrijving keerzijde The denomination is displayed in three lines across the centre of the field, reading XII / MARIEN / GROSCH in bold upright lettering, with three ornamental stars arranged below. The date 1690 and the mintmaster's initials HCxH appear integrated within the surrounding circular legend, which identifies the issuing authority. The legend runs continuously around the periphery, framing the central denomination inscription.
Schrift keerzijde Log in om details te zien
Opschrift keerzijde Log in om details te zien
Rand Plain
Muntplaats Log in om details te zien
Oplage Log in om details te zien
Aanvullende informatie

Brunswick-Wolfenbüttel operated under a peculiar dual-rulership from 1685, when Rudolph August invited his younger brother Anthony Ulrich to share governance — an arrangement born less of constitutional necessity than of Rudolph August's preference for hunting and court life over administration. Anthony Ulrich, the more politically ambitious and culturally active of the two, effectively drove policy and patronage while his elder brother held nominal seniority. Coins issued under the condominium name both rulers, though the balance of actual authority was never equal.

The Mariengroschen denomination takes its name from the Virgin Mary imagery historically associated with Lower Saxon coinage, a naming convention that persisted long after the religious iconography had faded from the types themselves.

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