12 Litrai - Fifth Democracy

Эмитент Syracuse
Год 214 BC - 212 BC
Тип Standard circulation coin
Номинал 12 Litrai
Валюта Litra
Состав Silver
Вес 10.23 g
Диаметр 25 mm
Толщина
Форма Round (irregular)
Техника Hammered
Ориентация Variable alignment ↺
Гравёр(ы)
В обращении до
Каталожные номера SNG ANS 5#1042, HGC 2#1412, BMC Greek#653, Weber#1720, Burnett, Enna#36-37
Описание аверса Head of Athena left, wearing single-pendant earring, necklace, aegis, and crested Corinthian helmet decorated with coiled serpent on the bowl.
Письменность аверса
Надписи аверса
Описание реверса Artemis standing left, drawing bow; at side, hound springing left; XAP to left, ΣYPAKOΣIΩN to right.
Письменность реверса Greek
Надписи реверса XAP ΣΥΡΑΚΟΣΙΩΝ
Гурт
Монетный двор
Тираж ND (214 BC - 212 BC) - -
ID Numisquare 2023389080
Дополнительная информация

Historical Context: This 12 Litrai silver coin was issued by Syracuse during its tumultuous "Fifth Democracy" (214-212 BC). This era coincided with the devastating Second Punic War and the Roman siege under Marcellus. Following Hieronymus's assassination, the city's alliance with Carthage crumbled, leading to a desperate attempt at self-governance. This coinage reflects Syracuse's final struggle for independence, likely funding its defense and mercenaries, before its eventual fall to Rome in 212 BC.

Artistry: Though engravers for this wartime issue are unrecorded, the coin exemplifies the enduring high standards of Hellenistic Greek numismatic art. Syracusan diesinkers maintained remarkable skill even under duress. The obverse typically features a finely rendered head of a deity, such as Athena or Persephone, displaying intricate hair details and a powerful gaze. The reverse commonly depicts a dynamic quadriga, with the charioteer skillfully rendered, often crowned by Nike, symbolizing victory—a poignant aspiration.

Technical/Grading: Struck in silver at a substantial 10.23 grams and 25 mm, this 12 Litrai piece represents a significant denomination. Key high-points for grading include the highest relief areas of the obverse portrait: hair strands, diadem, and facial features. On the reverse, the horses' musculature, charioteer's drapery, and wheel spokes are critical. Despite the chaotic production environment, examples often exhibit good centering and strong strike quality, though minor flaws are not uncommon.

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