カタログ
全画像を表示 — 無料登録
Googleで続ける — 無料
またはメールで登録
登録が必要な理由は？ボットからカタログを守るためだけです。メールアドレスは非公開で、共有したり許可なくメールを送ることは一切ありません。それをお約束します！
| 表面の説明 | A standing male figure, commonly identified as Shiva, depicted in frontal or three-quarter stance, holding a surya (solar) standard in the right hand; a tree-in-railing motif appears to the right of the figure. The style is characteristic of early Indian punch-marked and cast coinage of the Avanti region, rendered in low relief with schematic, archaic treatment of the human form. The coin surface exhibits heavy patination consistent with burial or long-term deposition. |
|---|---|
| 表面の文字体系 | ログイン して詳細を見る |
| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | ログイン して詳細を見る |
| 裏面の文字体系 | ログイン して詳細を見る |
| 裏面の銘文 | ログイン して詳細を見る |
| 縁 | Plain |
| 鋳造所 | ログイン して詳細を見る |
| 鋳造数 | ログイン して詳細を見る |
| 追加情報 |
Ujjain served as one of the most commercially active cities in ancient India during this period, positioned along trade routes connecting the Gangetic plains to the western ports. The Avanti region's punch-marked copper fractions circulated alongside silver karshapanas in local markets, filling a practical denominational gap that silver alone couldn't serve at the street level. Attribution to specific issuing authority within this region remains genuinely contested among scholars — ACR#271 places it in the Ujjain group, but the punch combinations overlap with neighboring Malwa issues in ways that resist clean classification.