目录
查看完整图片 — 免费注册
使用Google继续 — 免费
或用邮箱注册
为什么需要注册？只是为了防止机器人访问我们的目录。您的邮箱完全保密——我们绝不会分享或在未经您许可的情况下发送任何内容。我们向您保证！
| 正面描述 | Punch-marked obverse displaying a central elongated oval symbol, likely a fish or abstract device, flanked by additional punched symbols including geometric and linear marks distributed across the flat silver field. The surface bears the characteristic irregular texture of a hand-cut and punch-marked flan, with symbols applied by individual die punches. The design is rendered in the schematic, non-pictorial style typical of early Indian janapada coinage of the 4th–3rd century BC. |
|---|---|
| 正面文字 | 登录 以查看详情 |
| 正面铭文 | 登录 以查看详情 |
| 背面描述 | Plain, uninscribed reverse with a smooth to lightly textured flat surface, showing no deliberate punch-marked devices. The irregular rectangular flan edges are visible, characteristic of the cut-silver technique employed by the Saurasena janapada. The surface retains natural die-flow marks consistent with hand-hammered production methods. |
| 背面文字 | 登录 以查看详情 |
| 背面铭文 | 登录 以查看详情 |
| 边缘 | 登录 以查看详情 |
| 铸币厂 | 登录 以查看详情 |
| 铸造量 | 登录 以查看详情 |
| 附加信息 |
The Surasena janapada, centered on Mathura along the Yamuna, was among the sixteen mahajanapadas documented in early Buddhist and Jain texts. By the time this fractional piece was struck, the kingdom was already losing political ground to the expanding Magadha empire under the Nanda dynasty. Punch-marked silver of this region is notoriously difficult to attribute with precision — the punches themselves, applied by hammer across a cut blank, were used by multiple issuing authorities and frequently reused across generations.