Catalogo
| Emittente | Kaunos |
|---|---|
| Anno | 300 BC - 250 BC |
| Tipo | Standard circulation coin |
| Valore | |
| Valuta | Drachm |
| Composizione | Bronze |
| Peso | 1.42 g |
| Diametro | 12.0 mm |
| Spessore | |
| Forma | Round (irregular) |
| Tecnica | Hammered |
| Orientamento | |
| Incisore/i | |
| In circolazione fino al | |
| Riferimento/i | BMC Greek#7, GCV#4821, SNG Tübingen 5#3407, SNG Keckman Karia#70 |
| Descrizione del dritto | Bull butting right. |
|---|---|
| Scrittura del dritto | |
| Legenda del dritto | |
| Descrizione del rovescio | Sphinx seated facing right |
| Scrittura del rovescio | Greek |
| Legenda del rovescio |
K-A (Translation: Kaunos) |
| Bordo | |
| Zecca | |
| Tiratura |
ND (300 BC - 250 BC) - - |
| ID Numisquare | 9559027520 |
| Informazioni aggiuntive |
Historical Context: This Æ12 bronze coin from Kaunos dates to the early Hellenistic period, a tumultuous era following Alexander the Great's death. From 300 to 250 BC, Kaunos, a vital Carian port city, navigated the shifting control of the Diadochi, including Lysimachus, the Seleucids, and the Ptolemies. These bronze issues were essential for local commerce, reflecting the city's enduring civic identity and economic resilience amidst external pressures, serving as a testament to its continued autonomy in daily transactions and maintaining local economic stability.
Artistry: Typical of Hellenistic civic bronzes, the artistic execution on this small module (12mm) is often attributed to anonymous local engravers working within the broader Hellenistic stylistic tradition. The designs emphasize naturalism while adapting to the compact flan. Common obverse designs for Kaunos include a laureate head of Apollo, reflecting the city's prominent cults, while reverses often feature a local symbol, such as a bull's head or tripod, rendered with robust yet simplified forms suitable for the small denomination.
Technical/Grading: Struck on a diminutive 12mm bronze flan weighing 1.42 grams, this coin exemplifies the challenges of ancient bronze minting. High-points, typically the hair or facial features on the obverse and the central elements of the reverse device, are often susceptible to weak striking. Off-center strikes and irregular flan shapes are common, meaning the full design may not be present. A well-preserved example would exhibit a strong, even strike and an attractive, stable patination, crucial for grading ancient bronzes.