Katalog
| İhraççı | Tyra |
|---|---|
| Yıl | 350 BC - 340 BC |
| Tür | Standard circulation coin |
| Değer | |
| Para birimi | |
| Bileşim | Bronze |
| Ağırlık | 1.70 g |
| Çap | 12.0 mm |
| Kalınlık | |
| Şekil | Round (irregular) |
| Teknik | Hammered |
| Yönlendirme | |
| Gravürcü(ler) | |
| Dolaşımda olduğu yıl | |
| Referans(lar) | Anokhin#9 |
| Ön yüz açıklaması | Head of Tyras left, wearing laurel wreath |
|---|---|
| Ön yüz yazısı | |
| Ön yüz lejandı | |
| Arka yüz açıklaması | Head of horse right, wearing bridle with ΤΥΡΑ to left |
| Arka yüz yazısı | Greek |
| Arka yüz lejandı | ΤΥΡΑ |
| Kenar | |
| Darphane | |
| Basma adedi |
ND (350 BC - 340 BC) - - |
| Numisquare Kimliği | 1301307460 |
| Ek bilgiler |
Historical Context: This Æ12 coin was issued by the ancient Greek city of Tyra, located on the Black Sea coast, during the late Classical period, specifically between 350 BC and 340 BC. Tyra was a vital trading polis, asserting its economic autonomy through its coinage. This bronze issue reflects the city's robust local economy and its role as a significant hub within the broader Hellenistic sphere, often navigating political influences from the Bosporan Kingdom and the expanding Macedonian power. Such bronzes facilitated daily commerce within the city and its immediate environs.
Artistry: While the specific engraver of this diminutive bronze remains anonymous, typical of civic issues of the era, its design adheres to the broader Greek Classical stylistic school, albeit with regional interpretations. Coinage from Tyra frequently featured deities such as Dionysus or Demeter, or local symbols like a grain ear or an anchor, embodying the city's civic identity and economic foundations. The precise iconography of this Anokhin#9 specimen would have conveyed specific messages to its local populace, reflecting religious beliefs or civic pride through its carefully rendered devices.
Technical/Grading: Measuring 12.0 mm and weighing 1.70 gg, this bronze Æ12 presents specific challenges for strike quality and preservation. High-points, such as hair details or prominent facial features, are typically the first areas to show wear. The strike quality often varies, with small bronze issues frequently exhibiting minor off-centring or incomplete flan filling due to the rapid production demands. A well-struck example would display clear devices and legends, indicative of a carefully prepared die and forceful strike, allowing for full appreciation of its intricate design elements.