Katalog
| İhraççı | Uncertain Lesbos city |
|---|---|
| Yıl | 550 BC - 480 BC |
| Tür | Standard circulation coin |
| Değer | 1⁄16 Silver Stater (3⁄16) |
| Para birimi | Drachm |
| Bileşim | Billon |
| Ağırlık | 0.72 g |
| Çap | 8 mm |
| Kalınlık | |
| Şekil | Round (irregular) |
| Teknik | Hammered, Incuse |
| Yönlendirme | |
| Gravürcü(ler) | |
| Dolaşımda olduğu yıl | |
| Referans(lar) | BMC Greek#52, GCV#3490 |
| Ön yüz açıklaması | Calf`s head left. |
|---|---|
| Ön yüz yazısı | |
| Ön yüz lejandı | |
| Arka yüz açıklaması | Incuse square. |
| Arka yüz yazısı | |
| Arka yüz lejandı | |
| Kenar | |
| Darphane | |
| Basma adedi |
ND (550 BC - 480 BC) - - |
| Numisquare Kimliği | 1638201490 |
| Ek bilgiler |
Historical Context: The 1⁄16 Stater from an uncertain Lesbos city, struck between 550 and 480 BC, offers a fascinating glimpse into Archaic Greek monetary systems. This era saw independent city-states, like those on Lesbos, experimenting with coinage for local commerce. The use of billon, an alloy of silver and copper, was characteristic of early Lesbos issues, providing a practical, lower-value alternative to electrum or pure silver for daily transactions, reflecting the economic vitality and need for fractional currency in the Aegean.
Artistry: Lacking a known engraver, this diminutive coin exemplifies the Archaic Greek stylistic school. Its design, likely a bust of a local deity or an animal symbol common to Lesbos, would have been rendered with the characteristic frontal presentation and stylized features of the period. The minute 8mm flan necessitated a concise and robust design, challenging the die-sinker to imbue clarity within such a constrained field, reflecting the burgeoning artistic capabilities of the region.
Technical/Grading: The billon composition, a deliberate blend of silver and base metal, often presents a distinctive greyish patina. At 0.72 grams and 8 millimeters, this 1⁄16 Stater was challenging to strike consistently. Early archaic coinage frequently exhibits off-center strikes, weak areas, and flan irregularities due to manual striking. Key high-points, typically the most prominent features, are often the first to show wear or be weakly impressed, making a well-centered and fully struck example particularly desirable.