Каталог
| Эмитент | Kition |
|---|---|
| Год | 392 BC - 362 BC |
| Тип | Standard circulation coin |
| Номинал | 1⁄12 Siglos |
| Валюта | Drachm |
| Состав | Silver |
| Вес | 0.9 g |
| Диаметр | 9.5 mm |
| Толщина | |
| Форма | Round (irregular) |
| Техника | Hammered |
| Ориентация | |
| Гравёр(ы) | |
| В обращении до | |
| Каталожные номера |
| Описание аверса | Head of Heracles facing right in a beaded ring. |
|---|---|
| Письменность аверса | |
| Надписи аверса | |
| Описание реверса | Lion devouring stag, both facing right in a beaded square. Phoenician inscription above it. |
| Письменность реверса | |
| Надписи реверса | |
| Гурт | |
| Монетный двор | |
| Тираж |
ND (392 BC - 362 BC) - - |
| ID Numisquare | 9339672630 |
| Дополнительная информация |
Historical Context: This 1/12 Siglos was issued during the reign of King Milkyaton of Kition, a prominent Phoenician city-state on Cyprus, spanning 392-362 BC. Milkyaton was a significant figure, expanding Kition's influence during a period of complex geopolitical dynamics, balancing autonomy with Achaemenid Persian suzerainty. This coinage provides vital insight into the economic infrastructure and political aspirations of Cypriot kingdoms, demonstrating a sophisticated monetary system capable of producing such small fractional denominations for daily commerce.
Artistry: While the engraver remains anonymous, the coin exemplifies the distinctive Phoenician-Cypriot artistic tradition, often influenced by contemporary Greek styles yet maintaining unique local iconography. The obverse typically features a laureate head of Herakles-Melqart, a syncretic deity revered in Kition, rendered with compact detail suitable for the diminutive flan. The reverse commonly depicts a lion, symbolizing strength and royal authority, often in a walking or standing posture, reflecting the prevalent numismatic themes of the era.
Technical/Grading: Struck in silver on a compact 9.5mm flan, this 1/12 Siglos often presents challenges inherent to striking minute denominations. High-points for the obverse portrait include the hair, forehead, and nose, while for the reverse lion, the mane and musculature are critical. Due to the small size and manual striking process, examples frequently exhibit minor off-center strikes, planchet irregularities, or areas of flatness, particularly on the periphery. A well-centered strike with full detail on both sides is highly prized.