Danh mục
| Đơn vị phát hành | Kition |
|---|---|
| Năm | 392 BC - 362 BC |
| Loại | Standard circulation coin |
| Mệnh giá | 1⁄12 Siglos |
| Tiền tệ | Drachm |
| Chất liệu | Silver |
| Trọng lượng | 0.9 g |
| Đường kính | 9.5 mm |
| Độ dày | |
| Hình dạng | Round (irregular) |
| Kỹ thuật | Hammered |
| Hướng | |
| Nghệ nhân khắc | |
| Lưu hành đến | |
| Tài liệu tham khảo |
| Mô tả mặt trước | Head of Heracles facing right in a beaded ring. |
|---|---|
| Chữ viết mặt trước | |
| Chữ khắc mặt trước | |
| Mô tả mặt sau | Lion devouring stag, both facing right in a beaded square. Phoenician inscription above it. |
| Chữ viết mặt sau | |
| Chữ khắc mặt sau | |
| Cạnh | |
| Xưởng đúc | |
| Số lượng đúc |
ND (392 BC - 362 BC) - - |
| ID Numisquare | 9339672630 |
| Thông tin bổ sung |
Historical Context: This 1/12 Siglos was issued during the reign of King Milkyaton of Kition, a prominent Phoenician city-state on Cyprus, spanning 392-362 BC. Milkyaton was a significant figure, expanding Kition's influence during a period of complex geopolitical dynamics, balancing autonomy with Achaemenid Persian suzerainty. This coinage provides vital insight into the economic infrastructure and political aspirations of Cypriot kingdoms, demonstrating a sophisticated monetary system capable of producing such small fractional denominations for daily commerce.
Artistry: While the engraver remains anonymous, the coin exemplifies the distinctive Phoenician-Cypriot artistic tradition, often influenced by contemporary Greek styles yet maintaining unique local iconography. The obverse typically features a laureate head of Herakles-Melqart, a syncretic deity revered in Kition, rendered with compact detail suitable for the diminutive flan. The reverse commonly depicts a lion, symbolizing strength and royal authority, often in a walking or standing posture, reflecting the prevalent numismatic themes of the era.
Technical/Grading: Struck in silver on a compact 9.5mm flan, this 1/12 Siglos often presents challenges inherent to striking minute denominations. High-points for the obverse portrait include the hair, forehead, and nose, while for the reverse lion, the mane and musculature are critical. Due to the small size and manual striking process, examples frequently exhibit minor off-center strikes, planchet irregularities, or areas of flatness, particularly on the periphery. A well-centered strike with full detail on both sides is highly prized.