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1000 Rials - Mohammad Rezā Pahlavī 7th. portrait, 'Dark Panel'
| Uitgever | Bank Markazi Iran |
|---|---|
| Jaar | 1969 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | P#89 |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Opschrift voorzijde | بانک مرکزی ایران هزار ریال (Translation: Bank Markazi Iran One Thousand Rials) |
| Beschrijving keerzijde | Log in om details te zien |
| Opschrift keerzijde | BANK MARKAZI IRAN RIALS 1000 هزار ریال آرامگاه حافظ (Translation: Bank Markazi Iran / 1000 Rials / One Thousand Rials / Tomb of Hafez) |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Log in om details te zien |
| Beschrijving beveiliging | Log in om details te zien |
| Varianten | Log in om details te zien |
| Opmerkingen |
By the late 1960s, Bank Markazi Iran had consolidated around Harrison & Sons for much of its high-denomination printing work — the relationship produced several overlapping portrait series, which is precisely why collectors distinguish this issue as the "Dark Panel" type. The term refers to a deliberate design modification made mid-series to improve visual separation between the central vignette and surrounding fieldwork, a change Harrison implemented at the bank's request rather than as a routine reprint variation.
At the 1000 Rial level, these saw genuine heavy circulation — Iran's oil revenues were driving rapid economic expansion, and large-denomination notes moved through commercial channels constantly. Worn examples are the norm.