目录
查看完整图片 — 免费注册
使用Google继续 — 免费
或用邮箱注册
为什么需要注册？只是为了防止机器人访问我们的目录。您的邮箱完全保密——我们绝不会分享或在未经您许可的情况下发送任何内容。我们向您保证！
| 正面描述 | 登录 以查看详情 |
|---|---|
| 正面文字 | 登录 以查看详情 |
| 正面铭文 | 登录 以查看详情 |
| 背面描述 | A portrait of composer Gerardo Matos Rodríguez occupies the left portion of the field, set against a background styled to evoke the grooves and label of a vintage gramophone record. A curved inscription along the outer legend reads '• CENTENARIO DE LA CUMPARSITA • 1917 • Montevideo •', with '2017' appearing on an inner arc. The central disc label area bears the composer's name, the tango title, and the publisher reference 'Alonso-Minotto 79-A.' |
| 背面文字 | 登录 以查看详情 |
| 背面铭文 | • CENTENARIO DE LA CUMPARSITA • 1917 • Montevideo • 2017 Gerardo Matos Rodríguez La Cumparsita Tango Alonso-Minotto 79-A (Translation: 100th anniversary of 'La Cumparsita' 1917 Montevideo 2017 Gerardo Matos Rodríguez La Cumparsita Tango Alonso & Minotto 79-A) |
| 边缘 | 登录 以查看详情 |
| 铸币厂 | 登录 以查看详情 |
| 铸造量 | 登录 以查看详情 |
| 附加信息 |
La Cumparsita was composed in 1916 by Gerardo Matos Rodríguez, then a nineteen-year-old architecture student in Montevideo, as a march for his student fraternity. It was later adapted with lyrics and became arguably the most internationally recognized tango ever written — the piece most likely to close a milonga anywhere from Buenos Aires to Tokyo. Uruguay and Argentina have long contested its cultural ownership, a dispute that never fully resolved.
The .900 fine specification places this squarely in the collector-issue tradition rather than any monetary function; no 1000-peso silver coin entered general circulation.