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| Emittent | San Marino |
|---|---|
| Jahr | 1993 |
| Typ | Anmelden um Details zu sehen |
| Nennwert | Anmelden um Details zu sehen |
| Währung | Anmelden um Details zu sehen |
| Material | Anmelden um Details zu sehen |
| Gewicht | Anmelden um Details zu sehen |
| Durchmesser | Anmelden um Details zu sehen |
| Dicke | Anmelden um Details zu sehen |
| Form | Anmelden um Details zu sehen |
| Prägetechnik | Anmelden um Details zu sehen |
| Ausrichtung | Anmelden um Details zu sehen |
| Stempelschneider | Obverse: Bino Bini Reverse: Manfred Reske |
| Im Umlauf bis | Anmelden um Details zu sehen |
| Referenz(en) | Anmelden um Details zu sehen |
| Aversbeschreibung | Anmelden um Details zu sehen |
|---|---|
| Aversschrift | Anmelden um Details zu sehen |
| Averslegende | Anmelden um Details zu sehen |
| Reversbeschreibung | Two birds of prey are depicted in a naturalistic composition against a deeply mirrored proof field, evoking the theme of endangered wildlife. A large raptor, rendered in fine relief, perches on a leafy branch in the left-center field and faces right, while a second bird with wings fully spread in flight occupies the upper right. Stylized foliage fills the lower portion of the design. The curved legend MONDO ANIMALE IN PERICOLO arcs along the upper periphery, with the denomination L 1000 and the Rome Mint mark R inscribed to the left of center, and the engravers' names RESKE DIS. BONINI INC. at the lower left rim. |
| Reversschrift | Anmelden um Details zu sehen |
| Reverslegende | MONDO ANIMALE IN PERICOLO L 1000 RESKE DIS. BONINI INC. |
| Rand | Anmelden um Details zu sehen |
| Prägestätte | Anmelden um Details zu sehen |
| Auflage | Anmelden um Details zu sehen |
| Zusätzliche Informationen |
San Marino's wildlife-themed silver issues of the early 1990s were produced under the republic's longstanding practice of issuing commemorative coinage as a primary revenue mechanism — the republic has no central bank and relies heavily on numismatic sales and philatelic income. Mintages were tightly controlled, and distribution ran almost exclusively through collector channels, meaning genuine circulation wear on these pieces is essentially nonexistent.