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1000 Lei
| Uitgever | Banca Națională a României |
|---|---|
| Jaar | 1881-1906 |
| Type | Standard circulation banknote |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Printed in blue intaglio on white paper, the obverse carries two allegorical female figures in classical robes seated at left and right within elaborate architectural vignettes — the left figure holding a sickle, the right figure in a reclining pose. The central field bears the large denomination inscription "UNA MIIE LEI" flanked by numeral panels "1000" on either side, above which the issuer's title "BANCA NAȚIONALĂ A ROMÂNIEI" and a date appear. A dense legal warning text in Romanian runs along the upper border, with signature lines and engravers' credits below the central denomination. |
|---|---|
| Opschrift voorzijde | FALSIFICATORII ACESTOR BILETE, CUM SI TOTI ACEIA CARE VOR FI CONTRIBUIT LA EMITEREA UNEI SUME MAI MARE DE BILETE DE CAT CELE PREVEDUTE PRIN LEGEA DE PACIA, SE VOR PEDEPSI CONFORM ART. 112 SI URMATORII DIN CODUL PENAL BANCA NATIONALE A ROMANIEI UNA MIIE LEI 1000 1000 GUVERNATOR DIRECTOR DIRECTORUL CASEI GEORGES DUVAL fecit P. DUJARDIN SC. |
| Beschrijving keerzijde | Log in om details te zien |
| Opschrift keerzijde | Log in om details te zien |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Log in om details te zien |
| Beschrijving beveiliging | Log in om details te zien |
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| Opmerkingen |
Romania's earliest high-denomination notes were printed in Paris by the Banque de France's printing operation, and this 1000 Lei belongs to a series that ran continuously for over two decades without fundamental redesign — a long lifespan that reflects both the stability of the Regat period and the high cost of commissioning new intaglio work. Dujardin was one of the more accomplished steel engravers working in Paris at the time, and his hand is visible in the fineness of the line work.
High-denomination notes of this series rarely circulated hard. Most passed between banks and the treasury, which means surviving examples tend to show fold lines from storage rather than the edge wear typical of retail use.