1000 Krónur Seðlabanki Íslands

Bradbury Wilkinson produced this series across a seventeen-year window, an unusually long print run that reflects Iceland's relatively stable monetary conditions through the 1960s and 1970s. The firm's New Malden facility was the dominant supplier to smaller European central banks during this period, and the Icelandic account was one of their more consistent long-term relationships.

Halldór Pétursson's involvement as designer is worth noting — domestic designers working with foreign security printers was not automatic for small-nation issues of this era, and gave the series a more deliberate national character than subcontracted design work typically produced.