See full images - free registration
Continue with Google - no registration! or register with email

Why register? Just to keep bots out of our catalog. Your email stays private - we will never share it or send you anything uninvited. We guarantee you that!

1000 Krónur Seðlabanki Íslands

Issuer Seðlabanki Íslands (Central Bank of Iceland)
Year 1963-1980
Type Standard circulation banknote
Value Log in to see details
Currency Log in to see details
Composition Log in to see details
Size Log in to see details
Shape Log in to see details
Printer Log in to see details
Designer(s) Log in to see details
Engraver(s) Log in to see details
In circulation to Log in to see details
Reference(s) Log in to see details
Obverse description Blue intaglio print on multicolour underprint. A portrait vignette of Jón Sigurðsson is placed at right, with a view of the Parliament House (Alþingishúsið) in Reykjavík rendered at lower centre. Denomination numerals appear in guilloche panels at left and right, with the issuer title and authorising legislation inscribed across the face.
Obverse lettering Log in to see details
Reverse description Printed in blue intaglio, the reverse carries a sweeping panoramic vignette of the Almannagjá rift canyon at Þingvellir, with columnar basalt cliffs flanking a path leading toward Þingvallavatn lake and distant mountains beyond. The bank's circular seal with the Icelandic coat of arms is at lower left, and denomination numerals occupy guilloche panels in the upper left and lower right corners.
Reverse lettering Log in to see details
Signature(s) Log in to see details
Protection type Log in to see details
Protection description Log in to see details
Variants Log in to see details
Comments

Bradbury Wilkinson produced this series across a seventeen-year window, an unusually long print run that reflects Iceland's relatively stable monetary conditions through the 1960s and 1970s. The firm's New Malden facility was the dominant supplier to smaller European central banks during this period, and the Icelandic account was one of their more consistent long-term relationships.

Halldór Pétursson's involvement as designer is worth noting — domestic designers working with foreign security printers was not automatic for small-nation issues of this era, and gave the series a more deliberate national character than subcontracted design work typically produced.

YOU MAY ALSO LIKE