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1000 Krónur Landsbanki Íslands - Seðlabankinn
| Uitgever | Landsbanki Íslands - Seðlabanki Íslands |
|---|---|
| Jaar | 1960-1962 |
| Type | Standard circulation banknote |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Blue on multicolour underprint. A portrait vignette of Jón Sigurðsson is positioned at right, with a view of the Parliament House in Reykjavík rendered at lower centre. The note carries dual-authority inscriptions referencing both Landsbanki Íslands and Seðlabanki Íslands, with the denomination stated in figures and in words. |
|---|---|
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Printed in blue, the reverse carries a large intaglio landscape vignette of the Þingvellir rift valley, with dramatic columnar basalt rock formations flanking a glacial river channel stretching toward distant mountains. The bank's circular seal appears at lower left, and the denomination numeral 1000 is repeated at upper left and lower right corners. |
| Opschrift keerzijde | Log in om details te zien |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Log in om details te zien |
| Beschrijving beveiliging | Log in om details te zien |
| Varianten | Log in om details te zien |
| Opmerkingen |
Bradbury Wilkinson printed this high-denomination note during a period when Iceland's economy was under serious strain — the late 1950s and early 1960s brought chronic inflation and repeated króna devaluations, which partly explains why a 1000 Krónur note was necessary for ordinary transactions at all. The denomination's purchasing power had eroded considerably by the time these reached circulation.
Halldór Pétursson's design work for Icelandic banknotes during this period represents a coherent national aesthetic effort, though Bradbury Wilkinson's engraving house ultimately determined much of the final character of the printed surface.