カタログ
全画像を表示 — 無料登録
Googleで続ける — 無料
またはメールで登録
登録が必要な理由は？ボットからカタログを守るためだけです。メールアドレスは非公開で、共有したり許可なくメールを送ることは一切ありません。それをお約束します！
| 表面の説明 | Central vignette bears the denomination within an elaborate guilloche underprint. To the lower right, an allegorical figure of Svea reclines in an armchair, turned to the left, holding a shield in her right hand and a cornucopia in her left arm, with a seated lion at her feet with head turned left. |
|---|---|
| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | At centre, an intaglio portrait bust of King Gustav I Vasa, bearded and wearing a plumed hat, facing right, set within an ornate medallion surrounded by an elaborate guilloche frame. |
| 裏面の銘文 | ログイン して詳細を見る |
| 署名 | ログイン して詳細を見る |
| 偽造防止技術 | ログイン して詳細を見る |
| 偽造防止の説明 | ログイン して詳細を見る |
| バリエーション | ログイン して詳細を見る |
| コメント |
Sveriges Riksbank's 1000 Kronor series of this period represents the apex denomination in Swedish paper currency at the time, circulating among a narrow commercial and banking elite — ordinary Swedes would rarely have handled one. The Riksbank was among the oldest central banks in the world by this point, having formally assumed monopoly over Swedish note issue in stages through the 1890s, displacing the last of the private enskilda banks whose colorful competing issues had defined Swedish currency for decades.
Known examples show the characteristic heavy rag stock favored by Swedish printers of the period, which tends to survive well but is susceptible to fold brittleness at intersections. High-denomination notes of this run were frequently cancelled rather than retired by destruction, making pin-holed or stamp-cancelled survivors disproportionately common relative to genuinely circulated pieces.