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1000 Gulden Baruch d'Espinoza
| Uitgever | De Nederlandsche Bank |
|---|---|
| Jaar | 1972 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Rectangular |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Log in om details te zien |
| Opschrift keerzijde | Log in om details te zien |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Watermark |
| Beschrijving beveiliging | Pyramid on bowl and slab watermark. |
| Varianten | Log in om details te zien |
| Opmerkingen |
Ootje Oxenaar's commission for this note marked a deliberate break from the conservative engraved portraiture that had defined Dutch banknote design for generations. His approach was graphic and modernist — and the choice of Baruch de Spinoza as the face of the highest-denomination note was itself a pointed act of cultural rehabilitation. Spinoza had been excommunicated from Amsterdam's Jewish community in 1656 under a herem of unusual severity, and for centuries remained a controversial figure in Dutch public life.
By 1972, placing him on the 1000 Gulden was an unambiguous statement. The note circulated until the guilder's replacement by the euro in 2002.